Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822Mallery, Garrick
History
Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822
Mallery, Garrick
Picture-writing, Indian
On the glaciated surface of the quartzite about the “Three
Maidens,” which is kept clean by the rebound of the winds, are a
great many rude inscriptions, which were made by pecking out the
rock with some sharp-pointed instrument or by the use of other
pieces of quartzite. They are of different sizes and dates, the
latter being evinced by their manner of crossing and interfering
and by the evident difference in the weight of the instruments
used. They generally represent some animal, such as the turtle,
bear, wolf, buffalo, elk, and the human form. The “crane’s foot”
is the most common; next is the image of men; next the turtle. It
would seem as if any warrior or hunter who had been successful and
happened to pass here left his tribute of thanks to the great spirit
in a rude representation of his game and perhaps a figure of himself
on the rocks about these bowlders, or perhaps had in a similar way
invoked the good offices of the spirits of his clan when about to
enter on some expedition. In some cases there is a connection of
several figures by a continuous line, chipped in the surface of the
rock in such a manner as if some legend or adventure were narrated,
but for the most part the figures are isolated. This is the “sacred
ground” of the locality. Such markings can be seen at no other
place, though there is abundance of bare, smooth rock. (Similar
inscriptions are found on the red quartzite in Cottonwood county).
The excavation of the surface of the rock is very slight, generally
not exceeding a sixteenth of an inch, and sometimes only enough to
leave a tracing of the designed form. The hardness of the rock was
a barrier to deep sculpturing with the imperfect instruments of the
aborigines; but it has effectually preserved the rude forms that
were made. The fine glacial scratches that are abundantly scattered
over this quartzite indicate the tenacity with which it retains all
such impressions, and will warrant the assignment of any date to
these inscriptions that may be called for within the human period.
Yet it is probable that they date back to no very great antiquity.
They pertain, at least, to the dynasty of the present Indian tribes.
The totems of the turtle and the bear, which are known to have been
powerful among the clans of the native races in America at the time
of the earliest European knowledge of them, and which exist to this
day, are the most frequent objects represented. The “crane’s foot,”
or “turkey foot,” or “bird track,” terms which refer perhaps to the
same totem sign--the snipe--is not only common on these rocks, but
is seen among the rock inscriptions of Ohio, and was one of the
totems of the Iroquois, of New York.
Public-domain text, read in full here on John Shaqi.
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