Pictures and Problems from London Police CourtsHolmes, Thomas
History
Pictures and Problems from London Police Courts
Holmes, Thomas
Crime -- England -- London; Poor -- England -- London
But while you may see what I have described almost any day, there is
much that you cannot see, and which, please God, I shall never see
again. So come with me in imagination into the prisoners’ waiting-room
on that particular Monday morning, for it is well you should know
that some changes for the better have taken place in London police
courts. Out of a long corridor thronged with policemen we turn into the
waiting-room, where the prisoners, excepting some few who are in the
cells, wait for their turn to appear before the magistrate. There is
a long list on the wall, with the name of each prisoner and number of
the officer who has charge of each case, and showing the order in which
they will have to appear. Scan the list, and you will see the part
drink plays in it. ‘Drunk and disorderly,’ or drunk and something else,
is appended to fifty out of the sixty names on the list.
Is it a lazar-house we are in? Oh no; it is part of an English court
of justice in the Metropolis of all civilization. Never mind the
sickening atmosphere, heavily laden as it is with the fumes of beer
and spirits. Look around you. You feel sick and faint? You must bear
up, for we want to see the prisoners. What is that lying on the floor?
That is a woman; she has had a fit, and there she lies with a bag of
straw under her head, and not a single woman in the place whose duty it
is to attend to her. What is that cowering in the corner? Well, that
has been a woman, driven years ago by the devil of sensuality into
the wilderness of sin, where she took to herself other devils. But
only one has her in his grip now, and he will not let her go. ‘Drink!
drink! drink!’ the devil says to her, and she is a dying piece of flesh
whose only capability is the absorption of alcohol. That in the other
corner is reported to be a woman. She has got men’s boots on, no hat
or bonnet, no jacket or mantle; her arms are bare; her dress, what
there is of it, is short; her forehead is low, her broad face is cut
and bruised, her eyes are inflamed, and her hair hangs loosely down.
Twenty-four years of age, they say, and she has been in that corner
one hundred and fifty times, and there’s another hundred to follow.
Poor Kate Henessey! an Irish girl of the slum, a mother at fifteen; an
Ishmaelite indeed, every man’s hand is against her, and verily hers is
against every man.
Public-domain text, read in full here on John Shaqi.
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