Since he came in, a machine had been whirring and a voice muttering
beside him. He called his attention from counting their fingers and
looked around. Beside him sat an alert-looking man wearing earphones,
watching and listening with hawklike concentration. Beside him was a
tall streamlined box. From the screen came the sound of the alien
language. The man abruptly flipped a switch on the box, muttered a word
into a small hand-microphone and flipped the switch back with nervous
rapidity.
He reminded the _Times_ man of the earphoned interpreters at the UN.
The machine was probably a vocal translator and the mutterer a linguist
adding to its vocabulary. Near the screen were two other linguists
taking notes.
* * * * *
The _Times_ remembered the Senator pacing in the observatory room,
rehearsing his speech of welcome. The speech would not be just
the empty pompous gesture he had expected. It would be translated
mechanically and understood by the aliens.
On the other side of the glowing window that was the stereo screen, the
large protagonist in the green tunic was speaking to a pilot in a gray
uniform. They stood in a brightly lit canary-yellow control room in a
spaceship.
The _Times_ tried to pick up the thread of the plot. Already he was
interested in the fate of the hero, and liked him. That was the effect
of good acting, probably, for part of the art of acting is to win
affection from the audience, and this actor might be the matinee idol
of whole solar systems.
Controlled tension, betraying itself by a jerk of the hands, a
too-quick answer to a question. The uniformed one, not suspicious,
turned his back, busying himself at some task involving a map lit with
glowing red points, his motions sharing the same fluid dragging grace
of the others, as if they were underwater, or on a slow motion film.
The other was watching a switch, a switch set into a panel, moving
closer to it, talking casually--background music coming and rising in
thin chords of tension.
There was a closeup of the alien's face watching the switch, and the
_Times_ noted that his ears were symmetrically half-circles, almost
perfect with no earholes visible. The voice of the uniformed one
answered, a brief word in a preoccupied deep voice. His back was still
turned. The other glanced at the switch, moving closer to it, talking
casually, the switch coming closer and closer stereoscopically. It was
in reach, filling the screen. His hand came into view, darting out,
closed over the switch--
There was a sharp clap of sound and his hand opened in a frozen
shape of pain. Beyond him, as his gaze swung up, stood the figure of
the uniformed officer, unmoving, a weapon rigid in his hand, in the
startled position in which he had turned and fired, watching with
widening eyes as the man in the green tunic swayed and fell.
Public-domain text, read in full here on John Shaqi.
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