Pictures Every Child Should Know: A Selection of the World's Art Masterpieces for Young PeopleBacon, Mary Schell Hoke
General
Pictures Every Child Should Know: A Selection of the World's Art Masterpieces for Young People
Bacon, Mary Schell Hoke
Art -- Juvenile literature; Painters -- Juvenile literature; Painting -- Juvenile literature
In London he became acquainted with one John Smith, known as
"Antiquity Smith," who taught him something of etching. After he was
recalled to his father's business, his mother wrote to "Antiquity
Smith," that she hoped John "would now attend to business, by which he
will please me and his father, and ensure his own respectability and
comfort"--a complete expression of the middle-class British mind. Her
satisfaction was short-lived, for her son soon returned to London.
When his first pictures were rejected by the Royal Academy he showed
one of them to Sir Benjamin West, who said hopefully: "Don't be
disheartened, young man, we shall hear of you again; you must have
loved nature very much before you could have painted this."
About that time he tried to paint many kinds of pictures, such as
portraits and sacred subjects, but he did not seem to succeed in
anything except the scenes of his boyhood, which he truly loved. Hence
he gave up attempting that which he could do only passably, and kept
to what he could do supremely well.
When his friends wished him to continue portrait painting, the only
thing that was well paid at that time, Constable wrote: "You know I
have always succeeded best with my native scenes. They have always
charmed me, and I hope they always will. I have now a path marked out
very distinctly for myself, and I am desirous of pursuing it
uninterruptedly."
About the time he fell in love and before his father's death, his
health began to fail, and the young woman's mother would have none of
him. Her father was in favour of Constable, but he could not hold out
against the chance of his daughter losing her grandfather's fortune by
marrying the wrong man.
The lady was not so distractingly in love as young Constable was, and
she did not entirely like the idea of poverty, even with John, so she
held off, and with so much anxiety Constable became downright ill. For
five years the pair lived apart, and then the artist and the young
woman, whose name was Maria Bicknell, lost their mothers about the
same time, This drew them very closely together; and to help the
matter on, John's attendance upon his father in his last illness
brought him to the same town as Miss Bicknell. After his father's
death, he urged the young lady so strongly to be his wife that she
consented They were married and her father soon forgave her, but not
so her grandfather, who declared that he never would forgive her, but
he really must have done so from the first, for when he died it was
found that he had left her a little fortune of £4,000. This was about
the same amount the artist had received from his father, so that they
were able to get on very well.
Public-domain text, read in full here on John Shaqi.
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