Even the amusing things that happened to him, seem to have a little sadness about them. He wrote to a friend: "Beechey was here yesterday, and said: 'Why d--n it Constable, what a d--n fine picture you are making; but you look d--n ill, and you've got a d--n bad cold!' so," added Constable, "you have evidence on oath of my being about a fine picture and that I am looking ill." An illustration of his painstaking and truthfulness to nature is that he once took home with him from a visit bottles of coloured sand and fragments of stone which he meant to introduce into a picture; and on passing some slimy posts near a mill, he said to his host, "I wish you could cut those off and send their tops to me." Constable was a loyal friend, the most persistent of men, and several anecdotes are told of his characteristics. His friend Fisher said to him: "Where real business is to be done, you are the most energetic and punctual of men. In smaller matters, such as putting on your breeches, you are apt to lose time in deciding which leg shall go in first." PLATE--THE HAY WAIN This picture was first called "Landscape," and it was painted in 1821. In his letters about it, however, Constable also called it "Noon," and others wrote of it as "Midsummer Noon." This tells us what a wealth of hot sunlight is suggested by the painting. It shows a little farmhouse upon the bank of a stream, a spot well known as "Willy Lott's Cottage." The owner had been born there and he died there eighty-eight years later, without ever having left his cottage for four whole days in all those years. Upon the tombstone of Lott, which is in the Bergholt burial ground, his epitaph calls the house "Gibeon Farm." It was a favourite scene with Constable, and he painted it many times from every side. It is the same house we see in the "Mill Stream," another Constable painting, and again in "Valley Farm." In this last picture he painted the side opposite to the one shown in the "Hay Wain." The stream near which the house stands spreads out into a ford, and in the picture the hay cart, with two men upon it, is passing through the ford. The horses are decked out with red tassels. On the right of the stream there is a broad meadow, golden green in the sunlight, "with groups of trees casting cool shadows on the grass, and backed by a distant belt of woodland of rich blues and greens." On the right is a fisherman, half hidden by a bush, standing near his punt. Constable wrote to his friend, Fisher, "My picture goes to the Academy on the tenth." This was written on April 1st, 1821. "It is not so grand as Tinney's." This shows us, that Constable had not vanity enough to interfere with his self-criticism. Again in a letter written to him by a friend: "How does the 'Hay Wain' look now it has got into your own room again?" adding that he wished to see it there, away from the Academy which to him was always "like a great pot of boiling varnish."