Pictures Every Child Should Know: A Selection of the World's Art Masterpieces for Young PeopleBacon, Mary Schell Hoke
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Pictures Every Child Should Know: A Selection of the World's Art Masterpieces for Young People
Bacon, Mary Schell Hoke
Art -- Juvenile literature; Painters -- Juvenile literature; Painting -- Juvenile literature
"He begs pardon for giving them so much trouble, but he has painted
the picture of the princesses in so tender a light that,
notwithstanding he approves very much of the established line for
strong effects, he cannot possibly consent to have it placed higher
than eight feet and a half, because the likeness and the work of the
picture will not be seen any higher, therefore at a word he will not
trouble the gentlemen against their inclination, but will beg the best
of his pictures back again." Immediately, the Academy returned his
pictures, although it would seem that they might better have
accommodated Gainsborough than have lost such a fine exhibition. He
never again would send anything to them.
He was inclined to be irritated by inartistic points in his sitters,
and is said to have muttered when he was painting the portrait of
Mrs. Siddons, the great actress: "Damn your nose madam; there is no
end to it." The nose in question must have been an "eyesore" to more
than Gainsborough, for a famous critic is said to have declared that
"Mrs. Siddons, with all her beauty was a kind of female Johnson ...
her nose was not too long for nothing."
Notwithstanding that his landscapes were not popular, he used to go
off into the country to indulge his taste for painting them, and once
he wrote to a friend that he meant to mount "all the Lakes at the next
Exhibition in the great style, and you know, if people don't like
them, it's only jumping into one of the deepest of them from off a
wooded island and my reputation will be fixed forever." An old lady,
whose guest he was, down in the country, told how he was "gay, very
gay, and good looking, creating a great sensation, in a rich suit of
drab with laced ruffles and cocked hat."
One of the boys he saw in the country he delighted to paint, and he
also grew so much attached to him that he took him to London and kept
him with him as his own son. That boy's name was Jack Hill and he did
not care for city life, nor maybe for Gainsborough's eccentricities,
so he ran away. He was found again and again, till one day he got away
for good, and never came back.
All his later life Gainsborough was happy. His daughter, who had
married Fischer, the hautboy-player, came back home to live, and her
disorder was not bad enough to prevent her being a cause of great
happiness to her father. The other daughter never married.
Gainsborough says that he spent a thousand pounds a year, but he also
gave to everybody who asked of him, and to many who asked nothing, so
that he must have made a great deal of money during his lifetime, by
his art. It is said that the "Boy at the Stile" was bestowed on
Colonel Hamilton for his fine playing of a solo on the violin. A lady
who had done the artist some trifling service received twenty drawings
as a reward, which she pasted on the walls of her rooms without the
slightest idea of their value.
Public-domain text, read in full here on John Shaqi.
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