Pictures from English History: A Fireside Amusement — John Shaqi
Pictures from English History: A Fireside AmusementAnonymous
History
Pictures from English History: A Fireside Amusement
Anonymous
Great Britain -- History -- Juvenile fiction; Great Britain -- Kings and rulers -- Juvenile fiction
"Well, my dears, picture to yourselves the shore of a rocky island,
lovely scenery in the distance; the faint smoke of a then tranquil
volcano curling above the surrounding hills; soldiers, clad in coats of
mail, bearing crosses on their shields, are preparing to embark in the
numerous galleys which are waiting in the harbour; they yet stop for
one, whose noble mien and princely appearance seem to show him the
chief of the expedition; he is tenderly taking leave of a young and
lovely woman, who wears a golden diadem on her head; a veil descends
nearly to her feet, whilst a loose robe scarcely conceals the graceful
figure enveloped in its folds. Behind the pair stands an elderly
matron, trying to separate them, yet evidently with some reluctance."
[Illustration: Richard I. parting with Berengaria.]
"That was a sad parting, aunt," said Emily; "and I think the young lady
was not then married."
"You are right."
The rest of the party confessed themselves puzzled.
"Did you hear me say that the soldiers wore crosses?"
"Oh! that tells the tale," replied Annie.
Edward next began as follows:--"The scene of my picture is in the
precincts of a castle: a bold, intrepid looking figure on horseback is
seeking for the easiest place of attack, whilst at a small window in
the turret, depicted on the dark side of the picture, we descry an
archer aiming his bow and arrow at the figure below."
After some little deliberation, the supposed subject was confidentially
whispered to mama, who thought it was a right guess, after which the
name was more boldly mentioned.
"I am now going to tell a very shocking story," commenced Mary. "The
scene is a prison; cold stone walls, narrow windows, iron bars, and
rough seats, give no idea of comfort. A kind-looking man is seated in
the centre of the group, covering his face with one hand, whilst the
other rests on the head of a pretty boy, who looks beseechingly in his
face. The other figures are busily engaged heating some
curiously-shaped iron instruments."
"That is the poor, dear little prince who had his eyes put out by his
naughty uncle," cried Alfred, delighted at being able to guess one of
the many scenes described.
"I have heard the truth of that story doubted," remarked Mrs. Arabin.
Public-domain text, read in full here on John Shaqi.
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