Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
We had crossed the Tiber by the Ponte Molle two or three miles before.
It had looked as yellow as it ought to look, and hurrying on between its
worn-away and miry banks, had a promising aspect of desolation and ruin.
The masquerade dresses on the fringe of the Carnival, did great violence
to this promise. There were no great ruins, no solemn tokens of
antiquity, to be seen;—they all lie on the other side of the city. There
seemed to be long streets of commonplace shops and houses, such as are to
be found in any European town; there were busy people, equipages,
ordinary walkers to and fro; a multitude of chattering strangers. It was
no more _my_ Rome: the Rome of anybody’s fancy, man or boy; degraded and
fallen and lying asleep in the sun among a heap of ruins: than the Place
de la Concorde in Paris is. A cloudy sky, a dull cold rain, and muddy
streets, I was prepared for, but not for this: and I confess to having
gone to bed, that night, in a very indifferent humour, and with a very
considerably quenched enthusiasm.
Immediately on going out next day, we hurried off to St. Peter’s. It
looked immense in the distance, but distinctly and decidedly small, by
comparison, on a near approach. The beauty of the Piazza, on which it
stands, with its clusters of exquisite columns, and its gushing
fountains—so fresh, so broad, and free, and beautiful—nothing can
exaggerate. The first burst of the interior, in all its expansive
majesty and glory: and, most of all, the looking up into the Dome: is a
sensation never to be forgotten. But, there were preparations for a
Festa; the pillars of stately marble were swathed in some impertinent
frippery of red and yellow; the altar, and entrance to the subterranean
chapel: which is before it: in the centre of the church: were like a
goldsmith’s shop, or one of the opening scenes in a very lavish
pantomime. And though I had as high a sense of the beauty of the
building (I hope) as it is possible to entertain, I felt no very strong
emotion. I have been infinitely more affected in many English cathedrals
when the organ has been playing, and in many English country churches
when the congregation have been singing. I had a much greater sense of
mystery and wonder, in the Cathedral of San Mark at Venice.
When we came out of the church again (we stood nearly an hour staring up
into the dome: and would not have ‘gone over’ the Cathedral then, for any
money), we said to the coachman, ‘Go to the Coliseum.’ In a quarter of
an hour or so, he stopped at the gate, and we went in.
Public-domain text, read in full here on John Shaqi.
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