Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
It is no fiction, but plain, sober, honest Truth, to say: so suggestive
and distinct is it at this hour: that, for a moment—actually in passing
in—they who will, may have the whole great pile before them, as it used
to be, with thousands of eager faces staring down into the arena, and
such a whirl of strife, and blood, and dust going on there, as no
language can describe. Its solitude, its awful beauty, and its utter
desolation, strike upon the stranger the next moment, like a softened
sorrow; and never in his life, perhaps, will he be so moved and overcome
by any sight, not immediately connected with his own affections and
afflictions.
To see it crumbling there, an inch a year; its walls and arches overgrown
with green; its corridors open to the day; the long grass growing in its
porches; young trees of yesterday, springing up on its ragged parapets,
and bearing fruit: chance produce of the seeds dropped there by the birds
who build their nests within its chinks and crannies; to see its Pit of
Fight filled up with earth, and the peaceful Cross planted in the centre;
to climb into its upper halls, and look down on ruin, ruin, ruin, all
about it; the triumphal arches of Constantine, Septimus Severus, and
Titus; the Roman Forum; the Palace of the Cæsars; the temples of the old
religion, fallen down and gone; is to see the ghost of old Rome, wicked,
wonderful old city, haunting the very ground on which its people trod.
It is the most impressive, the most stately, the most solemn, grand,
majestic, mournful sight, conceivable. Never, in its bloodiest prime,
can the sight of the gigantic Coliseum, full and running over with the
lustiest life, have moved one’s heart, as it must move all who look upon
it now, a ruin. GOD be thanked: a ruin!
As it tops the other ruins: standing there, a mountain among graves: so
do its ancient influences outlive all other remnants of the old mythology
and old butchery of Rome, in the nature of the fierce and cruel Roman
people. The Italian face changes as the visitor approaches the city; its
beauty becomes devilish; and there is scarcely one countenance in a
hundred, among the common people in the streets, that would not be at
home and happy in a renovated Coliseum to-morrow.
Public-domain text, read in full here on John Shaqi.
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