Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
A large space behind the altar, was fitted up with boxes, shaped like
those at the Italian Opera in England, but in their decoration much more
gaudy. In the centre of the kind of theatre thus railed off, was a
canopied dais with the Pope’s chair upon it. The pavement was covered
with a carpet of the brightest green; and what with this green, and the
intolerable reds and crimsons, and gold borders of the hangings, the
whole concern looked like a stupendous Bonbon. On either side of the
altar, was a large box for lady strangers. These were filled with ladies
in black dresses and black veils. The gentlemen of the Pope’s guard, in
red coats, leather breeches, and jack-boots, guarded all this reserved
space, with drawn swords that were very flashy in every sense; and from
the altar all down the nave, a broad lane was kept clear by the Pope’s
Swiss guard, who wear a quaint striped surcoat, and striped tight legs,
and carry halberds like those which are usually shouldered by those
theatrical supernumeraries, who never _can_ get off the stage fast
enough, and who may be generally observed to linger in the enemy’s camp
after the open country, held by the opposite forces, has been split up
the middle by a convulsion of Nature.
I got upon the border of the green carpet, in company with a great many
other gentlemen, attired in black (no other passport is necessary), and
stood there at my ease, during the performance of Mass. The singers were
in a crib of wirework (like a large meat-safe or bird-cage) in one
corner; and sang most atrociously. All about the green carpet, there was
a slowly moving crowd of people: talking to each other: staring at the
Pope through eye-glasses; defrauding one another, in moments of partial
curiosity, out of precarious seats on the bases of pillars: and grinning
hideously at the ladies. Dotted here and there, were little knots of
friars (Frances-cáni, or Cappuccíni, in their coarse brown dresses and
peaked hoods) making a strange contrast to the gaudy ecclesiastics of
higher degree, and having their humility gratified to the utmost, by
being shouldered about, and elbowed right and left, on all sides. Some
of these had muddy sandals and umbrellas, and stained garments: having
trudged in from the country. The faces of the greater part were as
coarse and heavy as their dress; their dogged, stupid, monotonous stare
at all the glory and splendour, having something in it, half miserable,
and half ridiculous.
Public-domain text, read in full here on John Shaqi.
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