Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
For the last two days, we had seen great sullen hills, the first
indications of the Alps, lowering in the distance. Now, we were rushing
on beside them: sometimes close beside them: sometimes with an
intervening slope, covered with vineyards. Villages and small towns
hanging in mid-air, with great woods of olives seen through the light
open towers of their churches, and clouds moving slowly on, upon the
steep acclivity behind them; ruined castles perched on every eminence;
and scattered houses in the clefts and gullies of the hills; made it very
beautiful. The great height of these, too, making the buildings look so
tiny, that they had all the charm of elegant models; their excessive
whiteness, as contrasted with the brown rocks, or the sombre, deep, dull,
heavy green of the olive-tree; and the puny size, and little slow walk of
the Lilliputian men and women on the bank; made a charming picture.
There were ferries out of number, too; bridges; the famous Pont d’Esprit,
with I don’t know how many arches; towns where memorable wines are made;
Vallence, where Napoleon studied; and the noble river, bringing at every
winding turn, new beauties into view.
There lay before us, that same afternoon, the broken bridge of Avignon,
and all the city baking in the sun; yet with an under-done-pie-crust,
battlemented wall, that never will be brown, though it bake for
centuries.
The grapes were hanging in clusters in the streets, and the brilliant
Oleander was in full bloom everywhere. The streets are old and very
narrow, but tolerably clean, and shaded by awnings stretched from house
to house. Bright stuffs and handkerchiefs, curiosities, ancient frames
of carved wood, old chairs, ghostly tables, saints, virgins, angels, and
staring daubs of portraits, being exposed for sale beneath, it was very
quaint and lively. All this was much set off, too, by the glimpses one
caught, through a rusty gate standing ajar, of quiet sleepy court-yards,
having stately old houses within, as silent as tombs. It was all very
like one of the descriptions in the Arabian Nights. The three one-eyed
Calenders might have knocked at any one of those doors till the street
rang again, and the porter who persisted in asking questions—the man who
had the delicious purchases put into his basket in the morning—might have
opened it quite naturally.
After breakfast next morning, we sallied forth to see the lions. Such a
delicious breeze was blowing in, from the north, as made the walk
delightful: though the pavement-stones, and stones of the walls and
houses, were far too hot to have a hand laid on them comfortably.
Public-domain text, read in full here on John Shaqi.
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