Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
What a bright noon it was, as we rode away! The Tiber was no longer
yellow, but blue. There was a blush on the old bridges, that made them
fresh and hale again. The Pantheon, with its majestic front, all seamed
and furrowed like an old face, had summer light upon its battered walls.
Every squalid and desolate hut in the Eternal City (bear witness every
grim old palace, to the filth and misery of the plebeian neighbour that
elbows it, as certain as Time has laid its grip on its patrician head!)
was fresh and new with some ray of the sun. The very prison in the
crowded street, a whirl of carriages and people, had some stray sense of
the day, dropping through its chinks and crevices: and dismal prisoners
who could not wind their faces round the barricading of the blocked-up
windows, stretched out their hands, and clinging to the rusty bars,
turned _them_ towards the overflowing street: as if it were a cheerful
fire, and could be shared in, that way.
But, when the night came on, without a cloud to dim the full moon, what a
sight it was to see the Great Square full once more, and the whole
church, from the cross to the ground, lighted with innumerable lanterns,
tracing out the architecture, and winking and shining all round the
colonnade of the piazza! And what a sense of exultation, joy, delight,
it was, when the great bell struck half-past seven—on the instant—to
behold one bright red mass of fire, soar gallantly from the top of the
cupola to the extremest summit of the cross, and the moment it leaped
into its place, become the signal of a bursting out of countless lights,
as great, and red, and blazing as itself, from every part of the gigantic
church; so that every cornice, capital, and smallest ornament of stone,
expressed itself in fire: and the black, solid groundwork of the enormous
dome seemed to grow transparent as an egg-shell!
A train of gunpowder, an electric chain—nothing could be fired, more
suddenly and swiftly, than this second illumination; and when we had got
away, and gone upon a distant height, and looked towards it two hours
afterwards, there it still stood, shining and glittering in the calm
night like a jewel! Not a line of its proportions wanting; not an angle
blunted; not an atom of its radiance lost.
The next night—Easter Monday—there was a great display of fireworks from
the Castle of St. Angelo. We hired a room in an opposite house, and made
our way, to our places, in good time, through a dense mob of people
choking up the square in front, and all the avenues leading to it; and so
loading the bridge by which the castle is approached, that it seemed
ready to sink into the rapid Tiber below. There are statues on this
bridge (execrable works), and, among them, great vessels full of burning
tow were placed: glaring strangely on the faces of the crowd, and not
less strangely on the stone counterfeits above them.
Public-domain text, read in full here on John Shaqi.
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