Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
The Neapolitan frontier crossed, after two hours’ travelling; and the
hungriest of soldiers and custom-house officers with difficulty appeased;
we enter, by a gateless portal, into the first Neapolitan town—Fondi.
Take note of Fondi, in the name of all that is wretched and beggarly.
A filthy channel of mud and refuse meanders down the centre of the
miserable streets, fed by obscene rivulets that trickle from the abject
houses. There is not a door, a window, or a shutter; not a roof, a wall,
a post, or a pillar, in all Fondi, but is decayed, and crazy, and rotting
away. The wretched history of the town, with all its sieges and pillages
by Barbarossa and the rest, might have been acted last year. How the
gaunt dogs that sneak about the miserable streets, come to be alive, and
undevoured by the people, is one of the enigmas of the world.
A hollow-cheeked and scowling people they are! All beggars; but that’s
nothing. Look at them as they gather round. Some, are too indolent to
come down-stairs, or are too wisely mistrustful of the stairs, perhaps,
to venture: so stretch out their lean hands from upper windows, and howl;
others, come flocking about us, fighting and jostling one another, and
demanding, incessantly, charity for the love of God, charity for the love
of the Blessed Virgin, charity for the love of all the Saints. A group
of miserable children, almost naked, screaming forth the same petition,
discover that they can see themselves reflected in the varnish of the
carriage, and begin to dance and make grimaces, that they may have the
pleasure of seeing their antics repeated in this mirror. A crippled
idiot, in the act of striking one of them who drowns his clamorous demand
for charity, observes his angry counterpart in the panel, stops short,
and thrusting out his tongue, begins to wag his head and chatter. The
shrill cry raised at this, awakens half-a-dozen wild creatures wrapped in
frowsy brown cloaks, who are lying on the church-steps with pots and pans
for sale. These, scrambling up, approach, and beg defiantly. ‘I am
hungry. Give me something. Listen to me, Signor. I am hungry!’ Then,
a ghastly old woman, fearful of being too late, comes hobbling down the
street, stretching out one hand, and scratching herself all the way with
the other, and screaming, long before she can be heard, ‘Charity,
charity! I’ll go and pray for you directly, beautiful lady, if you’ll
give me charity!’ Lastly, the members of a brotherhood for burying the
dead: hideously masked, and attired in shabby black robes, white at the
skirts, with the splashes of many muddy winters: escorted by a dirty
priest, and a congenial cross-bearer: come hurrying past. Surrounded by
this motley concourse, we move out of Fondi: bad bright eyes glaring at
us, out of the darkness of every crazy tenement, like glistening
fragments of its filth and putrefaction.
Public-domain text, read in full here on John Shaqi.
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