Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
A noble mountain-pass, with the ruins of a fort on a strong eminence,
traditionally called the Fort of Fra Diavolo; the old town of Itrí, like
a device in pastry, built up, almost perpendicularly, on a hill, and
approached by long steep flights of steps; beautiful Mola di Gaëta, whose
wines, like those of Albano, have degenerated since the days of Horace,
or his taste for wine was bad: which is not likely of one who enjoyed it
so much, and extolled it so well; another night upon the road at St.
Agatha; a rest next day at Capua, which is picturesque, but hardly so
seductive to a traveller now, as the soldiers of Prætorian Rome were wont
to find the ancient city of that name; a flat road among vines festooned
and looped from tree to tree; and Mount Vesuvius close at hand at
last!—its cone and summit whitened with snow; and its smoke hanging over
it, in the heavy atmosphere of the day, like a dense cloud. So we go,
rattling down hill, into Naples.
A funeral is coming up the street, towards us. The body, on an open
bier, borne on a kind of palanquin, covered with a gay cloth of crimson
and gold. The mourners, in white gowns and masks. If there be death
abroad, life is well represented too, for all Naples would seem to be out
of doors, and tearing to and fro in carriages. Some of these, the common
Vetturíno vehicles, are drawn by three horses abreast, decked with smart
trappings and great abundance of brazen ornament, and always going very
fast. Not that their loads are light; for the smallest of them has at
least six people inside, four in front, four or five more hanging on
behind, and two or three more, in a net or bag below the axle-tree, where
they lie half-suffocated with mud and dust. Exhibitors of Punch, buffo
singers with guitars, reciters of poetry, reciters of stories, a row of
cheap exhibitions with clowns and showmen, drums, and trumpets, painted
cloths representing the wonders within, and admiring crowds assembled
without, assist the whirl and bustle. Ragged lazzaroni lie asleep in
doorways, archways, and kennels; the gentry, gaily dressed, are dashing
up and down in carriages on the Chiaji, or walking in the Public Gardens;
and quiet letter-writers, perched behind their little desks and inkstands
under the Portico of the Great Theatre of San Carlo, in the public
street, are waiting for clients.
Public-domain text, read in full here on John Shaqi.
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