Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
As it happens to be a favourite number, however, it is pretty well
received, which is not always the case. They are all drawn with the same
ceremony, omitting the blessing. One blessing is enough for the whole
multiplication-table. The only new incident in the proceedings, is the
gradually deepening intensity of the change in the Cape Lazzarone, who
has, evidently, speculated to the very utmost extent of his means; and
who, when he sees the last number, and finds that it is not one of his,
clasps his hands, and raises his eyes to the ceiling before proclaiming
it, as though remonstrating, in a secret agony, with his patron saint,
for having committed so gross a breach of confidence. I hope the Capo
Lazzarone may not desert him for some other member of the Calendar, but
he seems to threaten it.
Where the winners may be, nobody knows. They certainly are not present;
the general disappointment filling one with pity for the poor people.
They look: when we stand aside, observing them, in their passage through
the court-yard down below: as miserable as the prisoners in the gaol (it
forms a part of the building), who are peeping down upon them, from
between their bars; or, as the fragments of human heads which are still
dangling in chains outside, in memory of the good old times, when their
owners were strung up there, for the popular edification.
Away from Naples in a glorious sunrise, by the road to Capua, and then on
a three days’ journey along by-roads, that we may see, on the way, the
monastery of Monte Cassino, which is perched on the steep and lofty hill
above the little town of San Germano, and is lost on a misty morning in
the clouds.
So much the better, for the deep sounding of its bell, which, as we go
winding up, on mules, towards the convent, is heard mysteriously in the
still air, while nothing is seen but the grey mist, moving solemnly and
slowly, like a funeral procession. Behold, at length the shadowy pile of
building close before us: its grey walls and towers dimly seen, though so
near and so vast: and the raw vapour rolling through its cloisters
heavily.
There are two black shadows walking to and fro in the quadrangle, near
the statues of the Patron Saint and his sister; and hopping on behind
them, in and out of the old arches, is a raven, croaking in answer to the
bell, and uttering, at intervals, the purest Tuscan. How like a Jesuit
he looks! There never was a sly and stealthy fellow so at home as is
this raven, standing now at the refectory door, with his head on one
side, and pretending to glance another way, while he is scrutinizing the
visitors keenly, and listening with fixed attention. What a dull-headed
monk the porter becomes in comparison!
Public-domain text, read in full here on John Shaqi.
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