Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
‘He speaks like us!’ says the porter: ‘quite as plainly.’ Quite as
plainly, Porter. Nothing could be more expressive than his reception of
the peasants who are entering the gate with baskets and burdens. There
is a roll in his eye, and a chuckle in his throat, which should qualify
him to be chosen Superior of an Order of Ravens. He knows all about it.
‘It’s all right,’ he says. ‘We know what we know. Come along, good
people. Glad to see you!’ How was this extraordinary structure ever
built in such a situation, where the labour of conveying the stone, and
iron, and marble, so great a height, must have been prodigious? ‘Caw!’
says the raven, welcoming the peasants. How, being despoiled by plunder,
fire and earthquake, has it risen from its ruins, and been again made
what we now see it, with its church so sumptuous and magnificent? ‘Caw!’
says the raven, welcoming the peasants. These people have a miserable
appearance, and (as usual) are densely ignorant, and all beg, while the
monks are chaunting in the chapel. ‘Caw!’ says the raven, ‘Cuckoo!’
So we leave him, chuckling and rolling his eye at the convent gate, and
wind slowly down again through the cloud. At last emerging from it, we
come in sight of the village far below, and the flat green country
intersected by rivulets; which is pleasant and fresh to see after the
obscurity and haze of the convent—no disrespect to the raven, or the holy
friars.
Away we go again, by muddy roads, and through the most shattered and
tattered of villages, where there is not a whole window among all the
houses, or a whole garment among all the peasants, or the least
appearance of anything to eat, in any of the wretched hucksters’ shops.
The women wear a bright red bodice laced before and behind, a white
skirt, and the Neapolitan head-dress of square folds of linen,
primitively meant to carry loads on. The men and children wear anything
they can get. The soldiers are as dirty and rapacious as the dogs. The
inns are such hobgoblin places, that they are infinitely more attractive
and amusing than the best hotels in Paris. Here is one near Valmontone
(that is Valmontone the round, walled town on the mount opposite), which
is approached by a quagmire almost knee-deep. There is a wild colonnade
below, and a dark yard full of empty stables and lofts, and a great long
kitchen with a great long bench and a great long form, where a party of
travellers, with two priests among them, are crowding round the fire
while their supper is cooking. Above stairs, is a rough brick gallery to
sit in, with very little windows with very small patches of knotty glass
in them, and all the doors that open from it (a dozen or two) off their
hinges, and a bare board on tressels for a table, at which thirty people
might dine easily, and a fireplace large enough in itself for a
breakfast-parlour, where, as the faggots blaze and crackle, they
illuminate the ugliest and grimmest of faces, drawn in charcoal on the
Public-domain text, read in full here on John Shaqi.
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