Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
The landlady of the Hôtel de l’Ecu d’Or is here; and the landlord of the
Hôtel de l’Ecu d’Or is here; and the femme de chambre of the Hôtel de
l’Ecu d’Or is here; and a gentleman in a glazed cap, with a red beard
like a bosom friend, who is staying at the Hôtel de l’Ecu d’Or, is here;
and Monsieur le Curé is walking up and down in a corner of the yard by
himself, with a shovel hat upon his head, and a black gown on his back,
and a book in one hand, and an umbrella in the other; and everybody,
except Monsieur le Curé, is open-mouthed and open-eyed, for the opening
of the carriage-door. The landlord of the Hôtel de l’Ecu d’Or, dotes to
that extent upon the Courier, that he can hardly wait for his coming down
from the box, but embraces his very legs and boot-heels as he descends.
‘My Courier! My brave Courier! My friend! My brother!’ The landlady
loves him, the femme de chambre blesses him, the garçon worships him.
The Courier asks if his letter has been received? It has, it has. Are
the rooms prepared? They are, they are. The best rooms for my noble
Courier. The rooms of state for my gallant Courier; the whole house is
at the service of my best of friends! He keeps his hand upon the
carriage-door, and asks some other question to enhance the expectation.
He carries a green leathern purse outside his coat, suspended by a belt.
The idlers look at it; one touches it. It is full of five-franc pieces.
Murmurs of admiration are heard among the boys. The landlord falls upon
the Courier’s neck, and folds him to his breast. He is so much fatter
than he was, he says! He looks so rosy and so well!
The door is opened. Breathless expectation. The lady of the family gets
out. Ah sweet lady! Beautiful lady! The sister of the lady of the
family gets out. Great Heaven, Ma’amselle is charming! First little boy
gets out. Ah, what a beautiful little boy! First little girl gets out.
Oh, but this is an enchanting child! Second little girl gets out. The
landlady, yielding to the finest impulse of our common nature, catches
her up in her arms! Second little boy gets out. Oh, the sweet boy! Oh,
the tender little family! The baby is handed out. Angelic baby! The
baby has topped everything. All the rapture is expended on the baby!
Then the two nurses tumble out; and the enthusiasm swelling into madness,
the whole family are swept up-stairs as on a cloud; while the idlers
press about the carriage, and look into it, and walk round it, and touch
it. For it is something to touch a carriage that has held so many
people. It is a legacy to leave one’s children.
Public-domain text, read in full here on John Shaqi.
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