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PICTURESQUE LONDON.
INSCRIBED
WITH MUCH REGARD
TO
THE RIGHT HON. DAVID PLUNKET, M.P.,
FIRST COMMISSIONER OF WORKS
[Illustration]
_Picturesque London_
_BY_
_Percy Fitzgerald, M.A., F.S.A._
_ILLUSTRATED BY_
W. HATHERELL,
A. W. HENLEY,
W. C. KEENE,
HUME NISBET,
HERBERT RAILTON,
G. SEYMOUR,
W. F. YOUNG, ETC.
_With a Frontispiece in Photogravure of_
“_THE HOUSES OF PARLIAMENT_.”
(_From a Drawing by_ HUME NISBET.)
London:
WARD & DOWNEY,
1890.
PREFACE.
In the following pages I have attempted to describe the numerous
artistic treasures and beauties of London. These attractions are so
abundant and varied, that I have not been able to do more than select
specimens, as it were, of each class; but enough has been given to
inspire the reader with an eagerness to set out, and make these
discoveries for himself. The aim throughout has been to show that the
Metropolis is as well furnished with “the picturesque” as any foreign
city, and that there is much that is romantic and interesting, which,
without a sympathetic guide, might escape notice. There are various
modes of “seeing sights.” One, the most common, is the regular official
method “the Guide Book;” when the stranger goes round, and stares, and
takes care that he sees each object set down in his Book. No fruit or
profit comes from this process, which leaves a feeling of tediousness.
How welcome, on the other hand, is some living guide, the friend that
knows the subject, that can point out the special merits and beauties
with sympathy, describe in a few words why this or that is attractive,
or admired. What was before a mere blank mass of details, now becomes
vivified, and has meaning; something of this kind is, in a small way,
attempted here.
These “Travels in London” have been the result of many years’
exploration. I have always found a never-failing pastime to observe as I
walked, and made expeditions into far off and little known quarters,
rarely without discovering something novel and unexpected. I must add,
however, that these records do not pretend to be at all in the nature of
a “guide,” or to supply historical or archæological information. They
simply register impressions.
Public-domain text, read in full here on John Shaqi.
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