In the shadow of Westminster Abbey stands a homely-looking edifice of
Churchwarden’s Gothic. Uninviting as is the exterior of St. Margaret’s,
its interior is most interesting and suggestive. Restored not many years
ago with excellent taste and reserve, it has been gradually beautified
under the direction and encouragement of the rector, Archdeacon Farrar;
so that, small and unpretending as it seems, a couple of hours may be
profitably spent in viewing it. The interior is of the collegiate
pattern, with a flat panelled roof supported by airy and elegant columns
with delicate mouldings. The walls have been judiciously allowed to
display the outlines of their stones, which furnish good detail and
background. No church of its size, perhaps, is so rich in tombs and
tablets, all of which are more or less interesting; and they are
disposed so as to heighten the general effect. Some are fitted on to the
light columns, shield-like, and bent to the mouldings. Most of the
memorials are of one formal kind; a bust or medallion in the middle, a
pediment above, and below a black marble slab or tablet with the
inscription. The marbles are mostly of rich russet tones, or of a plum
tint.
The idea of making the painted windows illustrate the story of eminent
persons connected with the place or parish is a happy one; for it
enriches as well as beautifies the church. The legends, moreover, have
been supplied by distinguished poets. One great window, which displays
its brown and amber glories in honour of Queen Elizabeth and Sir Walter
Raleigh, is a present from the Americans; and Mr. Lowell has written
these lines for it:--
The New World’s sons, from England’s breast we drew
Such milk as bids remember whence we came;
Proud of the Past from which our Present grew,
This window we erect to Raleigh’s name.
The window is a handsome one, and is richer and deeper in its tones than
its fellows. Long ago a meagre white tablet with a bold inscription was
placed here by “The Roxburghe Club,” to commemorate Caxton. Over the
tablet a painted window has recently been fitted, the gift of the
printers of London--a happy and becoming tribute; while the Laureate,
who has given abundant work to printers all over the globe, has supplied
these lines:--
Thy prayer was “light, more light while time shall last;”
Thou sawest a glory growing on the night,
But not the shadows which that light will cast
Till shadows vanish in the light of light.
Public-domain text, read in full here on John Shaqi.
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