splendid a pile, massive and enduring as the Pyramids, and conveying to all Belgians a stately, dignified embodiment of the law. This work will be standing and admired as a wonder hundreds of years hence. But with our great kingdom, after years of consultations, selection, debate, changing and rechanging, doing and undoing, after endless chatter about “the New Law Courts,” “progress of the New Law Courts,” “Street’s great work,” etc., the result is the cluster of odds and ends to be seen at the entrance of Fleet Street! If an architect had purposely contrived to give the effect of a number of detached buildings and “dependences,” added one to the other at different times, he could not have been more successful. One could fancy the idea of a great central hall being conceived with a row of courts on each side. The great hall would then be the prominent object, and express itself in a demonstrative way; it would be seen from afar, with its courts attached to the side in a less obtrusive fashion. But the hall shrinks back from the front, and seems to hide itself behind the unmeaning-looking porch, over which runs the curious little Gothic gallery. The two octagonal towers in front are obtrusive enough, and claim more attention than the hall, yet they only hold dark spiral staircases, which lead to the court gallery at the side, though they affect to have some duty connected with the hall. More defective still is the disposition of the _façade_, which is intended to express a central hall with two wings, while beyond is a sort of register house and offices with a clock tower. Now these offices, having inferior functions, should surely have been marked off distinctly, and proclaim that they were mere “dependences.” But it will be seen that they are in the same style and have the same importance, nay, a portion is a _replica_ of one of the “wings” of the Hall, which makes the whole outline indistinct.