The great hall has merits, and there is a certain calm elegance about
it, though it suggests something ecclesiastical rather than legal. It is
said that a flight of stairs leading to the arcades above had almost
been forgotten, and was supplied by some afterthought. The arrangements
for access to the different courts and waiting rooms are of the most
extraordinary kind, through dark passages, up winding breakneck stairs
and bewildering crannies. The public when they find themselves in the
hall and naturally seek access to the courts, are sent out of the
building, and have to struggle up a winding stair in the two towers
outside. No idea can be given of the dark galleries above, of the sense
of oppression, the want of air and light which is found in them. The
Courts are gloomy caverns, where artificial light has nearly always to
be used. Every arrangement is more or less inconvenient, and there are
incessant complaints. The truth is, the whole should be courageously
remodelled. Stone galleries should run round the great hall, gained by a
broad monumental double flight of stairs; these galleries should lead
directly to the several courts. All the minute subdivisions of passages,
waiting rooms for jurors, waiting rooms for witnesses, which only
bewilder, should be swept away. A new set of courts should be erected on
the vacant piece. The whole fault arises from squeezing too much into a
small area. Some such heroic remedy will assuredly be carried out sooner
rather than later.
Close to the Law Courts, and on the spot where Temple Bar stood, has
been placed the notorious “Griffin,” which excited a storm of ridicule
when it was set up. It will hardly be credited that this grotesque
thing, which consists of a sort of pedestal, little more pretentious
than a drinking fountain, with its monster on the top, and two small
effigies at the side, cost some £10,000! The late Mr. Street offered to
design a new archway which would harmonize with his building and be
suitable to the traffic, but this was declined.
Public-domain text, read in full here on John Shaqi.
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