In one of the little steep darkened lanes that descend towards Thames
Street from Queen Victoria Street, Little Trinity Lane, we are attracted
by a very remarkable doorway, richly carved and elaborate, yet strangely
out of keeping with the poor mean house to which it is attached. This is
The Painter-Stainers’ Hall, one of the most retired and least
pretentious of the Halls, and yet, like many an unassuming person,
recommended by extraordinary gifts. Entering a shabby room to the left,
we find, as usual, a widow-like woman waiting her turn, while some one
else is pressing her claims at the desk. The whole seems to have the air
of a discounting office in a rather small way of business. The Painter
“Stayners” have a legacy of £80,000 to administer, the interest of which
supports some two hundred pensioners. Going up a rather rickety stair,
we are introduced to the old Hall itself, a genuine thing enough, of
suitable dinginess and subdued old fashion. It has unhappily been spoilt
by thrusting an adjoining room into it, the wall being supported by
pillars and arches. A quaint feature, too, is the door through which we
have entered, a little low arch supported by pillars, over which
projects a small balcony, where, as I was informed, the ladies sit
during festivals. The panelled walls are covered with pictures, which
are made to suit the panels, and thus seem to belong to the walls. There
is a dark monastic air over the whole, and a curious, old-world,
sequestered look. Here are held the little dinners of the society, “the
Worshipful Company of Painters, otherwise Painter Stainers,” as they are
careful to describe themselves, though, if not careful, one is apt to
use the phrase “Paper Stainers.” The modest Hall was formerly more
attractive than it is now, and the glories of its ceiling have long ago
disappeared. The little corporation is highly interesting, as, previous
to the founding of the Royal Academy, it was the body that represented
the interests of English painters. Decorative painting, such as was
largely employed in ornamenting carriages, ceilings, and barges, seems
to have come under their supervision, and the society was occasionally
invited to give a certificate as to whether such work was fitly
executed.[20]
Few could imagine what is the number of these City Companies; there are
close upon eighty, each with its funds, officers, charities, and
dinners. Only about one half are provided with Halls; the rest dine at
restaurants or at one of the noted City taverns, where the invariable
“Ring and Brymer” cater. Turtle is of course the City luxury, and one of
the sights of the city is the aquarium at “The Ship and Turtle,” where
may be seen through the glass from fifty to a hundred turtles at a time,
paddling lazily about and waiting unconsciously the hour of sacrifice.
Public-domain text, read in full here on John Shaqi.
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