Picturesque Sketches of London, Past and PresentMiller, Thomas
Philosophy
Picturesque Sketches of London, Past and Present
Miller, Thomas
London (England) -- Description and travel
All night long were the workmen busily employed in erecting the gloomy
scaffold: the sound of their hammers and saws fell upon the ear at
intervals; these again were drowned by the loud jeers and coarse jests
which were ever and anon uttered and responded to by many in that brutal
mob. One after another the huge pieces of black wood were brought out
and fitted together, until high above the crowd rose the grim stage on
which the death-ending drama was to be represented. Even on the
countenances of those who erected the pile no expression of pity could
be traced; they hammered and sawed as if they were erecting a gay
mansion for the living, instead of a place on which the doomed victim
was a few moments to plant his feet, look around him, and--die! The
posts, which supported the planks on which so many trembling actors had
trod, were fitted into the same holes in the ground--foundations which
had been dug long years ago, and stood firmly, with all their load of
sorrow and crime, through scores of heart-aching executions: spots which
the thoughtful man never passes without heaving a sigh, and where the
brutal and the vicious only congregate to jest at degraded humanity.
Ranged along the lines of the barriers, like hounds that are ever in
foremost at the death, are seen those whom neither rain, snow, storm,
nor darkness ever prevented from attending an execution. Their
conversation is about their companions of former years--of those who
were long ago imprisoned, transported, or hanged; while they alone,
though often within the clutches of the law, are still at large, with
all their crimes. Some of these, whose hair age and guilt have whitened,
remember the days when men were hung up in a row--can tell who died
basely and who bravely; and on his memory who met death in sorrow and
repentance they cast reproach and shame; while he who plunged daringly
into the darkness of eternity, as if he gloried in his iniquity, they
hold up as an example to be followed. No rocking nor swaying of the
crowd from without can remove these old idolaters of the gallows: the
mass of human bodies behind may roll to and fro, like the waves of the
ocean--the motion affects them not; they are anchored like rocks at the
foot of the gloomy headland, which stands with its dark beam reared high
above the billowy multitude. Nearly every countenance along those
foremost ranks seems marked with the lines which witnessing such public
executions have imprinted there--as if the very cordage had
[Illustration]
left its twisted impress upon their visages, and the dark beam its
ominous line upon their furrowed brows, giving to them the very reflex
of the gallows itself, while watching its workings.
Public-domain text, read in full here on John Shaqi.
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