Picturesque Sketches of London, Past and PresentMiller, Thomas
Philosophy
Picturesque Sketches of London, Past and Present
Miller, Thomas
London (England) -- Description and travel
From the expression of such countenances we can see that the exhibition
they are awaiting has for them no terrors; that it is but calculated to
harden their hearts, by making them more familiar with the image of
death; and that, instead of repenting, they are more likely to go and
take away life; thus following the example which the law itself has set
before their eyes. Here and there, mingled among the crowd, are seen the
figures of women; some, whose countenances are marked with dissipation,
yet bearing faint traces of former beauty, as if Nature was still
reluctant to obliterate the fair image which she had first formed,
though every trace of the pure spirit, which had once given it such
light and animation, has long since perished. If they speak together in
tones of pity, it is the besotted sympathy of maudlin inebriety. There
is a rocking of the head, a swaying of the body, and a folding of the
arms, which tell how low they have sunk,--that the once clear intellect
is prostrated before the power of ardent spirits; while the crushed
bonnet, the dirty shawl, the gown fastened with a single hook upon the
back, and that slip-shod slovenliness of the feet, proclaim that all the
pride of the woman has vanished. Girls and youths, too, are there, on
whose countenances the impress of innocence is still stamped, though the
white purity of the flower is sullied with the trail of the slimy soil
in which it has grown. It makes the heart ache--while looking upon these
stained and drooping flowers, that are growing amid such a wilderness of
full-blown weeds--to reflect upon the deathly blight which must at last
settle down and destroy them, unless they are transplanted by some kind
and nurturing hand into a more favourable soil. Surely that law which
can take away life might throw its protecting power over such as these,
and a score or two of policemen be stationed to prevent them from
witnessing such a scene as an execution, which is only calculated to
brutalise their youthful minds. Pocket-picking, fighting, drunkenness,
and profanity in almost every form, are the only examples to be picked
up by these young frequenters of the gallows. No man can venture there
with a kind and feeling heart, unless impelled by such motives as would
lead him to plunge into a pest-house in the hope of restoring again to
health some of those whom the plague has stricken down. They think not
of the heart-broken relatives who have taken a last farewell as they
stood within the massy and low-vaulted corridors behind that forbidding
and impassable barrier of iron bars--nor of the condemned cell in which
the doomed prisoner has passed so many hours of bitter remorse, looking
with an inward eye of awe into that mysterious future into which he is
now to be suddenly launched.
Public-domain text, read in full here on John Shaqi.
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