Picturesque Sketches of London, Past and PresentMiller, Thomas
Philosophy
Picturesque Sketches of London, Past and Present
Miller, Thomas
London (England) -- Description and travel
A strange place is that Prerogative Court, a fine picture of the great
out-of-door world; for there Hope and Despair stand sentinels at the
doors, and the living seem to jostle the dead in their eager hurry to
hunt after what those in the grave have left them. There is a smell as
of death about the place, as if grey old departed spirits lurked in the
musty folios, and had scattered their ashes amid the yellow and
unearthly-looking parchments, which rise up again in clouds of dust,
while you turn over the mouldy and crackling leaves, making you sneeze
again, while a hundred old echoes take up the sound, until every volume
seems to shake and laugh and mock you, as if the grim old dead found it
a rare spot to make merry in--to "mop and mow," and play off a thousand
devilish antics upon the living. That court is the great mart of
merriment and misery, and its open doors too often lead to madness;
groaning and moaning, when they open or shut, as if the spirits within
wailed over those who come in search of wealth, to return disappointed.
Beauty, Virtue, and Innocence also enter there, preceded by Pity; while
Hope, with downcast eyes, leads them gently by the hand--her smile
subdued, and her sweet countenance sorrowful. But these are angel
visitants, who are compelled to appear in that court--who come in tears,
and, when their duty is done, pass away for ever. There is a sound of
sighs within those walls--a smell of green, stagnant tears: if you
listen, you seem to hear the dead rustling among the old parchments:
they move like black-beetles, and murmur to one another in an old Saxon
language. Wickedness and Wrong have also their lurking-places
there--where they lie concealed, and laugh at Right and Justice amid a
pile of black-lettered laws, beneath which you find injured Poverty
mourning unpitied. The grim judge, who has sat here for hundreds of
years, is deaf and blind: he acts but for the dead--the living he can
neither hear nor see--but ever sits with his elbow resting on a pile of
musty volumes, mute as a marble image. It is a place filled with solemn
associations--the ante-room of Life-in-Death.
Public-domain text, read in full here on John Shaqi.
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