Picturesque Spain: Architecture, landscape, life of the people. — John Shaqi
Picturesque Spain: Architecture, landscape, life of the people.Hielscher, Kurt
History
Picturesque Spain: Architecture, landscape, life of the people.
Hielscher, Kurt
Spain -- Description and travel
=The Patio= (40, 42-49). It is a favourite expression to call Seville the
town of bright court-yards. Those court-yards which light and fill the
house with sunshine. The Sevillian house, or rather the Andalusian
house, is not a building such as our houses, fronting on the street, but
one that fronts to an inner court, turning its back on the street. The
outsides of the houses are bare of ornament, almost windowless; a secret
to the passer-by. All their beauty is displayed yardwards. There wealth
obtains in all its pomp, and poverty unfolds its modest ornaments. The
narrow passage--the Zaguan--leading from the street to the court is
closed by a railed gate. The gallery--to which access is gained by steps
leading from the court--is supported by columns. The rooms of the upper
stories lead to the gallery. To cool the air there is a fountain in the
middle of the court surrounded by palms, araucarias, laurels,
orange-trees, oleanders and flowers in pots. The walls are covered with
multi-coloured tiles. Against them brightly up-holstered furniture,
chairs, and sometimes even a piano; the inevitable guitar is in a
corner. Climbing plants festoon the court.
Practically this is the centre of the whole family life. Friends are
received here, hours passed in argument, singing, music and
dancing--whether in company or alone, dreaming away the hours, listening
to the plashing of the fountain, it is in the court--the soul of the
house--that most time is spent.
* * * * *
There is nothing commonplace about Spanish houses. They still retain
their peculiarity impressed on them by the patina of age. Many have
tumbled down under the burden of years. Many are dead; but they “died in
beauty". The period of their prosperity still lingers on in the churches
and ornate façades of deserted squares.
Toledo is the most Spanish of towns. It was once the heart of the
country, pulsating with the great rhythm of epic history. But its heart
no longer beats.
Resting on steep granite hills above the deep Tajo valley stands the
yellow-grey heap of houses as though rooted in the rocks. Two gigantic
bridges span the river. Narrow alleys lead up hill and down dale;
many-cornered and dark. The whole town seems in a fighting mood. Huge
gateways and towers, the houses fort-like, the doors studded with heavy
nails. Indeed, there is hardly a town that has seen so many battles
rounds its walls. Spain’s history has passed over it with heavy steps.
And to-day? Rent walls, ruin and silence: the town the accumulated
wreckage of a thousand years (139-148).
Public-domain text, read in full here on John Shaqi.
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