Picturesque World's Fair, Vol. I, No. 1, Feb. 10, 1894: An Elaborate Collection of Colored Views . . . Comprising Illustrations of the Greatest Features of the World's Columbian Exposition and Midway Plaisance: Architectural, Artistic, Historical, Scenic and EthnologicalAnonymous
History
Picturesque World's Fair, Vol. I, No. 1, Feb. 10, 1894: An Elaborate Collection of Colored Views . . . Comprising Illustrations of the Greatest Features of the World's Columbian Exposition and Midway Plaisance: Architectural, Artistic, Historical, Scenic and Ethnological
GRAND ARCH OF THE PERISTYLE.--In the memory of millions of people the
grand colonnade or Peristyle, which reared itself between the great
eastern basin and Lake Michigan, will remain as the most beautiful
inanimate object upon which their eyes ever rested. The Peristyle was
in the purest Phidian style, was five hundred feet in length and
fifty feet in height, connecting the Casino and Music Hall. The
Corinthian columns represented the different States and Territories.
Along the top of the Peristyle appeared eighty-five allegorical
figures all in heroic proportions. At the center the colonnade was
broken by a vast triumphal arch supporting the famous group known as
the Columbus Quadriga. Here the Discoverer was represented in a
chariot drawn by four horses led by women, with heralds riding beside
them. Columbus leaned on a jeweled sword, his head was thrown back,
and the expression on his face was that of a man who had conquered
all obstacles at last. The figure was fourteen feet in height. The
whole group was full of life and vigor. Well executed groups on the
pedestals of the arch represented the genius of Navigation. The
feature was but one of many of the glorious Peristyle, one of the
artistic triumphs of the Fair. Its cost was two hundred thousand
dollars. On the evening of January 8, 1894, the Casino, Music Hall
and the entire Peristyle were totally destroyed by fire. Of the host
who witnessed the scene hundreds were in tears at the destruction of
a thing so majestic and beautiful.
[Illustration: THE ELECTRIC FOUNTAINS.
THE ELECTRIC FOUNTAINS.--The Electric Fountains, one on each side of
the famous Macmonnies Fountain, at the west end of the Court of
Honor, added greatly to the beauty of the night scene, and always
when playing attracted thousands to their vicinity. When quiescent,
all that could be seen of the fountains was the multitude of pipes
arranged within the rocky basin. At night, however, there came a
sudden activity, and from the pipes leaped high in the air great
streams of water glittering with the hues of the rainbow and falling
back in a cataract to the basin where the turbulent mass of color
bubbled and tossed and overflowed with dazzling effect. The fountains
exceeded in magnitude and beauty anything of the sort ever
constructed, the basins being sixty feet in diameter and pierced for
three hundred and four jets, the water from which ascended to a
height of one hundred and fifty feet. The brilliant effects were
produced by concealed lights, the charm of mystery being thus added
to the illusion. The entire apparatus was controlled by electric
signals from the dome of Machinery Hall, where the different lights
were applied and the transmission from one to another controlled at
will. The illumination was by thirty-eight arc lights of one hundred
amperes, each requiring nearly one thousand horse-power in operation.
The jets were arranged in circles and the effect was the climax of
success for this beautiful modern device.
Public-domain text, read in full here on John Shaqi.
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