Picturesque World's Fair, Vol. I, No. 1, Feb. 10, 1894: An Elaborate Collection of Colored Views . . . Comprising Illustrations of the Greatest Features of the World's Columbian Exposition and Midway Plaisance: Architectural, Artistic, Historical, Scenic and Ethnological — John Shaqi
Picturesque World's Fair, Vol. I, No. 1, Feb. 10, 1894: An Elaborate Collection of Colored Views . . . Comprising Illustrations of the Greatest Features of the World's Columbian Exposition and Midway Plaisance: Architectural, Artistic, Historical, Scenic and EthnologicalAnonymous
History
Picturesque World's Fair, Vol. I, No. 1, Feb. 10, 1894: An Elaborate Collection of Colored Views . . . Comprising Illustrations of the Greatest Features of the World's Columbian Exposition and Midway Plaisance: Architectural, Artistic, Historical, Scenic and Ethnological
Accompanying the views will be found a brief but vivid description of
the buildings; their contents and the environments, together with
much condensed valuable sympathetic information. In fact, it has been
the intention of the publishers to present to the public a review and
pictorial presentation of the great Fair that will rejoice and
refresh those who had the good fortune to be among its visitors, and
impart satisfactory reproduction in line and letter, that will in a
great measure compensate those whose unavoidable absence would
perhaps without this work have debarred them from an intimate and
intelligent appreciation of the Exposition's manifold wonders.
Standing upon the little Spanish Caravel, the Santa Maria, so small a
craft as to seem a vessel in miniature, and looking above, about and
beyond the mooring, it was impossible to realize that the grandeur,
the brilliancy and the sweeping proportions of the Columbian
Exposition were inspired and produced by the commemoration of the
great event this little ship, by the guiding hand of the great
Navigator, was the instrumentality in achieving. As the success of
the voyage of a Genoese sailor marked the era of endless and
boundless advance of civilization, so the commemorative Exposition
will for all time stand as an epochful event, glorious in its effect
upon this generation, and momentous in its influence upon those to
follow.
As these beautiful and expressive illustrations set forth the
greatness of the Exposition in the full blast of achievement, they
must call into grateful remembrance the thousands who in humble, but
no half-hearted way have done their share in the mighty task of its
preparation; the tiller of the soil who sent from every clime the
yellow grain; the nurserymen who from every sunny slope have given
the richest product of the tree and vine; the miner in every mountain
who has wrested tribute from the treasure vaults of nature to delight
the wondering visitor. The worker in the forest; the worker in the
mill who have sent the product of the axe and the loom; the fisherman
who seined and hooked in the depths of the sea; the inventor, the
mechanic, the artisan and artist, all with incomparable energy and
skill gave their full measure to this colossal testimonial of the
prodigality of nature and the genius of mankind.
Public-domain text, read in full here on John Shaqi.
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