Man-woman relationships -- Fiction; Paris (France) -- Fiction; World War, 1914-1918 -- France -- Fiction
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_BY ROMAIN ROLLAND_
JEAN-CHRISTOPHE
JEAN-CHRISTOPHE IN PARIS
JEAN-CHRISTOPHE: JOURNEY'S END
COLAS BREUGNON, BURGUNDIAN
CLERAMBAULT
THE MUSICIANS OF TODAY
SOME MUSICIANS OF FORMER DAYS
BEETHOVEN
HANDEL
MUSICAL TOUR THROUGH THE LAND OF THE PAST
THE FOURTEENTH OF JULY
THE PEOPLE'S THEATER
PIERRE AND LUCE
* * * * *
PIERRE AND LUCE
BY
ROMAIN ROLLAND
_Translated by_
CHARLES DE KAY
[Illustration]
NEW YORK
HENRY HOLT AND COMPANY
1922
COPYRIGHT, 1922,
BY
HENRY HOLT AND COMPANY
_Printed in U.S.A._
THE ISLE OF CALMS
"_Just as the Gulf Stream embraces the Sargasso Sea into which gradually
drift the odds and ends that are carried away by the marine currents
into the regions of calm, so does our aerial current surround a region
where the air is still. It is called_ THE ISLE OF CALMS."
DURATION OF THE STORY
From Wednesday evening, January 30, to Good Friday, May 29, 1918.
PIERRE AND LUCE
PIERRE plunged into the subway. A feverish, a brutal crowd. On his feet
near the door, closely pressed in a bank of human bodies and sharing the
heavy atmosphere passing in and out of their mouths, he stared without
seeing them at the black and rumbling vaults over which flickered the
shining eyes of the train. The same heavy shadows lay in his mind, the
same gleams, hard and tremulous. Suffocating in the raised collar of his
overcoat, his arms jammed against his sides and his lips compressed, his
forehead damp with perspiration momentarily cooled by a current from
outside when the door opened, he tried hard not to see, he tried not to
breathe, he tried not to live. The heart of this young fellow of
eighteen, still almost a child, was full of a dull despair. Above his
head, above the shadows of these long vaulted ways, of this rat-run
through which the monster of metal whirled, all swarming with human
masks--was Paris, the snow, the cold January darkness, the nightmare of
life and of death--the war.
The war! Four years ago it was, the war had come to stay. It had weighed
heavily on his adolescent years. It had caught him by surprise in that
morally critical period when the growing boy, disquieted by the
awakening of his feelings, discovers with a shock the existence of
blind, bestial, crushing forces in life whose prey he is and that
without having asked to live at all. And if he happens to be delicate in
character, tender of heart and frail as to body in the way Pierre was,
he experiences a disgust and horror which he does not dare confide to
others for all these brutalities, these nastinesses, all this nonsense
of fruitful and devouring nature--this breeding sow that gobbles up her
litter of pigs.
Public-domain text, read in full here on John Shaqi.
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