Man-woman relationships -- Fiction; Paris (France) -- Fiction; World War, 1914-1918 -- France -- Fiction
This also added to the enchantment of his thought: that love had been
born under the wing of death. In that moment of emotion when they felt
the menace of the bombs pass over their heads, when the bloodstained
apparition of the wounded man contracted their hearts, then it was their
fingers groped toward each other; and both of them had read therein, at
the same time with the quivering of the flesh that was frightened, the
loving consolation of an unknown friend. Fleeting pressure! One of the
two hands, that of the man, says: "Lean upon me!" And the other, the
maternal one, pushes aside her own fear in order to say: "My little
dear!"
Nothing of all this was uttered or heard. But that inward murmur filled
the soul far better than words, that curtain of foliage which masks our
thought. Pierre allowed himself to be cradled by this humming. Such the
song of a golden wasp that floats through the chiaroscuro of one's
thought. His days became numb things in this new languor. That solitary
and naked heart dreamed of the warmth of a nest.
During these first weeks of February, Paris was counting her ruins from
the last raid and licking her wounds. The press, locked up in its
kennel, was barking for reprisals. And, according to the statement of
"the Man who put the fetters on," the government was making war on the
French. The open season for suits at law for treasonable acts commenced.
The spectacle of a wretched creature who was defending his own head,
bitterly demanded by the public accuser, was a matter of amusement for
_Tout-Paris_, whose appetite for the theatre had not yet been satisfied
by four years of war and ten millions of dead men dissolving behind the
flies.
But the youth remained completely and solely absorbed in the mysterious
guest who had just come to make him a visit. Strange intensity of these
visions of love printed on the very floor of his thought and
nevertheless lacking in contour! Pierre would have been incapable of
saying what was the form of her features or what the color of her eyes
or the modeling of her lips. All he could bring back was the emotion
already in himself. All his attempts to give precision to the image
merely ended in deforming it. He was no more successful when he went to
work to find her in the streets of Paris. At every turn he believed he
had seen her. It was either a smile or a white young neck or a gleam in
some eyes. And then the blood shook in his heart. There was no
resemblance, none whatever, between these flying images and the real
image which he sought and which he believed he loved. Well, then, he did
not love her? Surely he loved her; and that is why he saw her everywhere
and under every shape. For she just is every smile, each radiance, all
life. And the exact form would be a limitation.--But one longs for that
limitation in order to clasp love and to possess it.
Public-domain text, read in full here on John Shaqi.
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