Autobiographical fiction; Domestic fiction; Male authors -- Fiction; Men -- Fiction; Psychological fiction
The girl sits steadily sewing; neither she nor her two companions speak.
Her eyes are mostly upon her work; but now and then a very close
observer would notice that she furtively lifts them, and moves them
sideways and timidly toward Pierre; and then, still more furtively and
timidly toward his lady mother, further off. All the while, her
preternatural calmness sometimes seems only made to cover the intensest
struggle in her bosom. Her unadorned and modest dress is black; fitting
close up to her neck, and clasping it with a plain, velvet border. To a
nice perception, that velvet shows elastically; contracting and
expanding, as though some choked, violent thing were risen up there
within from the teeming region of her heart. But her dark, olive cheek
is without a blush, or sign of any disquietude. So far as this girl lies
upon the common surface, ineffable composure steeps her. But still, she
sideways steals the furtive, timid glance. Anon, as yielding to the
irresistible climax of her concealed emotion, whatever that may be, she
lifts her whole marvelous countenance into the radiant candlelight, and
for one swift instant, that face of supernaturalness unreservedly meets
Pierre's. Now, wonderful loveliness, and a still more wonderful
loneliness, have with inexplicable implorings, looked up to him from
that henceforth immemorial face. There, too, he seemed to see the fair
ground where Anguish had contended with Beauty, and neither being
conqueror, both had laid down on the field.
Recovering at length from his all too obvious emotion, Pierre turned
away still farther, to regain the conscious possession of himself. A
wild, bewildering, and incomprehensible curiosity had seized him, to
know something definite of that face. To this curiosity, at the moment,
he entirely surrendered himself; unable as he was to combat it, or
reason with it in the slightest way. So soon as he felt his outward
composure returned to him, he purposed to chat his way behind the
breastwork of bright eyes and cheeks, and on some parlor pretense or
other, hear, if possible, an audible syllable from one whose mere silent
aspect had so potentially moved him. But at length, as with this object
in mind, he was crossing the room again, he heard his mother's voice,
gayly calling him away; and turning, saw her shawled and bonneted. He
could now make no plausible stay, and smothering the agitation in him,
he bowed a general and hurried adieu to the company, and went forth with
his mother.
They had gone some way homeward, in perfect silence, when his mother
spoke.
"Well, Pierre, what can it possibly be!"
"My God, mother, did you see her then!"
Public-domain text, read in full here on John Shaqi.
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