After crossing the gray plains which lie between La Ferte-Gaucher and Provins, a desert and yet productive, a desert of wheat, you reach a hill. Suddenly you behold at your feet a town watered by two rivers; at the feet of the rock on which you stand stretches a verdant valley, full of enchanting lines and fugitive horizons. If you come from Paris you will pass through the whole length of Provins on the everlasting highroad of France, which here skirts the hillside and is encumbered with beggars and blind men, who will follow you with their pitiful voices while you try to examine the unexpected picturesqueness of the region. If you come from Troyes you will approach the town on the valley side. The chateau, the old town, and its former ramparts are terraced on the hillside, the new town is below. They go by the names of Upper and Lower Provins. The upper is an airy town with steep streets commanding fine views, surrounded by sunken road-ways and ravines filled with chestnut trees which gash the sides of the hill with their deep gulleys. The upper town is silent, clean, solemn, surmounted by the imposing ruins of the old chateau. The lower is a town of mills, watered by the Voulzie and the Durtain, two rivers of Brie, narrow, sluggish, and deep; a town of inns, shops, retired merchants; filled with diligences, travelling-carriages, and waggons. The two towns, or rather this town with its historical memories, its melancholy ruins, the gaiety of its valley, the romantic charm of its ravines filled with tangled shrubbery and wildflowers, its rivers banked with gardens, excites the love of all its children, who do as the Auvergnats, the Savoyards, in fact, all French folks do, namely, leave Provins to make their fortunes, and always return. “Die in one’s form,” the proverb made for hares and faithful souls, seems also the motto of a Provins native.