When the petty shopkeeper who has come to Paris from the provinces
returns to the provinces from Paris he brings with him a few ideas; then
he loses them in the habits and ways of provincial life into which he
plunges, and his reforming notions leave him. From this there do result,
however, certain trifling, slow, successive changes by which Paris
scratches the surface of the provincial towns. This process marks the
transition of the ex-shopkeeper into the substantial bourgeois, but
it acts like an illness upon him. No retail shopkeeper can pass with
impunity from his perpetual chatter into dead silence, from his Parisian
activity to the stillness of provincial life. When these worthy persons
have laid by property they spend a portion of it on some desire
over which they have long brooded and into which they now turn their
remaining impulses, no longer restrained by force of will. Those who
have not been nursing a fixed idea either travel or rush into the
political interests of their municipality. Others take to hunting
or fishing and torment their farmers or tenants; others again become
usurers or stock-jobbers. As for the scheme of the Rogrons, brother and
sister, we know what that was; they had to satisfy an imperious desire
to handle the trowel and remodel their old house into a charming new
one.
This fixed idea produced upon the square of Lower Provins the front
of the building which Brigaut had been examining; also the interior
arrangements of the house and its handsome furniture. The contractor did
not drive a nail without consulting the owners, without requiring them
to sign the plans and specifications, without explaining to them at full
length and in every detail the nature of each article under discussion,
where it was manufactured, and what were its various prices. As to
the choicer things, each, they were told, had been used by Monsieur
Tiphaine, or Madame Julliard, or Monsieur the mayor, the notables of the
place. The idea of having things done as the rich bourgeois of Provins
did them carried the day for the contractor.
“Oh, if Monsieur Garceland has it in his house, put it in,” said
Mademoiselle Rogron. “It must be all right; his taste is good.”
“Sylvie, see, he wants us to have ovolos in the cornice of the
corridor.”
“Do you call those ovolos?”
“Yes, mademoiselle.”
“What an odd name! I never heard it before.”
“But you have seen the thing?”
“Yes.”
“Do you understand Latin?”
“No.”
“Well, it means eggs--from the Latin _ovum_.”
“What queer fellows you are, you architects!” cried Rogron. “It is
stepping on egg-shells to deal with you.”
“Shall we paint the corridor?” asked the builder.
“Good heavens, no!” cried Sylvie. “That would be five hundred francs
more!”
“Oh, but the salon and the staircase are too pretty not to have the
corridor decorated too,” said the man. “That little Madame Lesourd had
hers painted last year.”
“And now, her husband, as king’s attorney, is obliged to leave Provins.”
Public-domain text, read in full here on John Shaqi.
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