Pietro Vannucci, called PeruginoWilliamson, George C.
History
Pietro Vannucci, called Perugino
Williamson, George C.
Perugino, approximately 1450-1523
_Descent from the Cross_ (fragment, Città della Pieve), 105, 136
_Descent from the Cross, The_, by Filippino Lippi,
completed by Perugino, 95, 140, _ill._ 94
Ducci, Agostino, 72
_Entombment, The_ (Pitti), 40, 44, 45, 138, _ill._ 44;
studies for, 45-46
Este, Isabella d', and Perugino, 93
Fancelli, Chiare, wife of Perugino, 140
Federighi, Jacopo, 95
Fiesole altar-piece, The, 31, 139, _ill._ 30
Fiorenzo di Lorenzo, his influence on Perugino, 2, 4, 5
_Francesco delle Opere_, portrait of, 40, 44, 80, 85, 138, _ill._ 40
Galeotto, Pietro di Maestro, 20-22
Giovanni, The, Perugino's uncle and nephews, 87
Herringham, Mrs., 34
_Holy Family, The_ (Cantiano), 69, 135
Horne, Mr. Herbert, on Perugino's technique, 33
Julius II., Pope, 27, 88, 101
Laurie, Dr. A. P., his Cantor Lectures, 36
Leonardo da Vinci, 12
Lippo, Filippino, his "Descent from the Cross,"
completed by Perugino, 95, 140
Lippi, Lippo, his "Vision of St. Bernard," 63
Lorenzo di Credi, 12, 95
Lo Spagna, "The Sposalizio," attributed to, 59;
other works by, 93
_Love and Chastity_, 9, 62, 93, 94, 130
_Madonna and Child_ (Louvre), 19, 129;
(Verona), 19, 154;
(Vatican), 23, 40, 152, _ill._ 22;
(Uffizi), 31, 139;
(Vienna), 31, 121;
(Cremona), 39, 137;
(Nat. Gallery, from the Certosa altar-piece), 67, 122;
(Fano), 69-71, 137;
(Sinigaglia), 69, 154;
(Perugia, Pinacoteca), 69, 71, 146, _ill._ 70;
(Nat. Gallery, the Schiavone altar-piece), 99, 100, 123, _ill._ 100;
(Bettona), 104, 134;
(Città della Pieve), 104, 135;
(Perugia, Duomo), 109, 147
Masaccio, 12
Maturanzio, Francesco, 77, 80
Michel Angelo, choice of a site for his "David," 89;
connection between Perugino and, 90
Milan, Il Moro, Duke of, anxious to secure Perugino, 39, 40, 69
_Milanesi, Don Biagio_, portrait of, 84, 113, 139, _ill._ 84
_Moses and Zipporah_, probably not by Perugino, 16
_Nativity, The_ (Villa Albani), 29, 153;
(Cambio), 77, 151;
(Montefalco), 108, 142;
(Perugia, Pinacoteca), 104, 147
Napoleon, his seizure of Italian pictures, 48;
admiration of Perugino's paintings, 50
Niccolò da Foligno, his influence on Perugino, 2, 3, 11
Orvieto, story of Perugino's contract to decorate the cathedral at, 27-29;
finally refused, 74
Panicale, Perugino's work at and connection with, 93, 99
Perugia, story of Perugino's dealings with the Priori of, 20, 23;
altar-piece painted for San Pietro, 40, 41, 55, 128, _ill._ 52;
the pillage of Perugino's pictures from, 47-57;
altar-piece painted for the magistrates' chapel, 33, 40, 47, 49, 152;
altar-piece painted for St. Agostino, 56, 70, 87, 88, 106;
decoration of the Cambio, 74-82, 149-151, _ill._ 76, 78;
double altar-piece for San Francesco al Monte, 87;
the Schiavone altar-piece, 99, 100;
figures in San Severo, 107, _ill._ 106;
other pictures at, 144-151
Public-domain text, read in full here on John Shaqi.
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