Pietro Vannucci, called PeruginoWilliamson, George C.
History
Pietro Vannucci, called Perugino
Williamson, George C.
Perugino, approximately 1450-1523
Perugino, his birth, 1;
early influences, 2-9;
journey to Florence, 9;
earliest works, 10, 11;
figure of "San Sebastian" at Cerqueto, 11;
"Christ giving the keys to St. Peter," 13, 16, 18;
influence of Umbrian scenery on his work, 16;
his other frescoes in the Sistine Chapel destroyed, 18;
early pictures, 19-32;
the Vatican "Madonna," 23;
the La Calza "Crucifixion," 24, 26;
commissioned to decorate Orvieto Cathedral, 27, 74;
work for Cardinal Guiliano della Rovere, 27-29;
the Villa Albani altar-piece, 29, 30;
his technique, pigments, etc., 33-38;
the Cremona altar-piece, 39;
the "Ascension" altar-piece, 40-44;
the "Entombment," 44-46;
story of the pillage of his pictures from Perugia, 47-57;
the "Sposalizio" attributed to Lo Spagna, 58-61;
the "Apollo and Marsyas," 62;
the "St. Bernard," 63;
the "Family of St. Anne," 63-65;
the "Crucifixion" at S. M. Maddalena dei Pazzi, 65-67;
the Certosa altar-piece, 67-69;
pictures at Fano, etc., 69-71;
two "Madonnas" at Perugia, 71, 72;
the St. Jerome "Crucifixion," 72, 73;
residence in Florence, 74;
decoration of the Cambio, 74-82;
portrait of himself, 80, 85, _ill._ 78;
Raphael his pupil, 81, 82;
the Vallombrosa altar-piece, 83, 84;
two portraits, 84, 85;
civic duties in Perugia, 87;
the double altar-piece for San Francesco al Monte, 87-89;
connection with Michel Angelo, 90;
the fresco at Città della Pieve, 90, 91;
commission from Isabella d'Este, 93;
the "Assumption" (SS. Annunziata), 95;
repetition of figures in his pictures, 68, 96;
retirement to Perugia, 97;
the Schiavone altar-piece, 99, 100;
frescoes in the Vatican, 101;
works at Assisi, 102;
Siena, 103;
Bettona, 103, 104;
Città della Pieve, 104, 105;
Spello, 106;
completion of Raphael's fresco in San Severo, Perugia, 107;
works at Montefalco, and Trevi, 108;
later pictures, 109, 110;
death, 110;
his burial-place unknown, 111;
his wife, 112;
his scholars, 112;
characteristics, 112-114
Piero della Francesca, his influence on Perugino, 3, 6, 26, 30
_Pietà_ (Accademia), 9, 24, 26, 140, _ill._ 26
Pinturicchio, the "Baptism" in the Sistine Chapel by, 16, 18;
work in Orvieto Cathedral, 29;
the "Apollo and Marsyas," possibly by, 63
Phillips, Mr. Claud, 63
Portraits by Perugino, 40, 44, 80, 84, 85, 113
_Prophets and Sibyls_ (Cambio), 77, 82, 83, 151
Raffaelino del Garbo, 25
Raphael, his "Sposalizio," 59, 60, 81;
his "Crucifixion," 67;
Perugino's pupil, 81, 82;
his decorations in the Camera dell' Incendio, 100;
fresco in San Severo, Perugia, added to by Perugino, 107
"Raphael of Morris Moore," The, 62, 130
Repetition of figures in Perugino's pictures, 68, 96
_Resurrection, The_ (Rouen), 43, 130;
(Vatican), 79, 85, 86, 152, _ill._ 86
Roederer, Baron, 51, 53
Public-domain text, read in full here on John Shaqi.
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