Pietro Vannucci, called PeruginoWilliamson, George C.
History
Pietro Vannucci, called Perugino
Williamson, George C.
Perugino, approximately 1450-1523
In the centre of the picture is Our Lady on her knees with clasped
hands in the act of adoring the divine Child, who is nude and seated
upon a sack and supported by an angel. On the other of the Virgin is
the child St. John, kneeling on one knee and also in adoration of
the Christ.
FLORENCE, THE UFFIZI PALACE.
=Portrait=, believed to represent Francesco delle Opere, a Florentine
artist, a brother of the celebrated Giovanni Corniole. He died in Venice
1496. [287.]
The portrait is of a man with bushy hair. He has bright eyes, and is
clean shaven. He wears a cap on his head and is clothed in a loose
soutane. In his hand is a roll bearing these words =TIMETE DEVM=.
The background is an Umbrian landscape.
The picture is inscribed on the back: 1494 D'Luglio Pietro Perugino
Pinse Franco del Ope (delle Opere).
=Madonna and Child with two Saints.= [1122.]
The Virgin is seated on a throne beneath a vaulted archway. She has
the divine Child on her knees. At her left stands St. Sebastian; on
the right St. John Baptist.
The inscription on the base of the throne reads: =PETRVS PERVSINVS
PINXIT AN MCCCCLXXXXIIJ.=
_The picture was painted for the Church of San Domenico at Fiesole._
There are also three studies in the Uffizi for the =Pietà= in the Pitti.
FLORENCE, THE ACADEMY.
=Portrait of Don Biagio Milanesi=, General of the Vallombrosan Order.
1499-1500. [17.]
=Portrait of Don Baldassare=, Monk of Vallombrosa. 1499-1500. [17 bis.]
=Christ on the Mount of Olives.= 1492-9. [53.]
_Painted for the Convent of the Gesuati, in Florence._
=The Assumption.= [55.]
At the extreme top is the Eternal Father in a circle with adoring
angels. Below, in a mandorla, is Our Lady surrounded by a group of
cherubs, who, in their arrangement, follow the lines of the
mandorla. On either side are standing angels playing on musical
instruments, and below are flying angels and cherub faces. On the
ground as spectators of the mystery are four Vallombrosan saints:
Cardinal San Bernardo degli Uberti, San Giovanni Gualberto the
founder, St. Benedict, and the Archangel Michael.
The picture is signed: =PETRVS PERVSINVS PINXIT AD MCCCCC.=
_This picture was painted for Vallombrosa._
=The Crucifixion.= [78.]
On one side of the cross stands The Virgin, on the other St. Jerome
with his lion.
_From the Monastery of St. Jerome in Florence._
=The Entombment.= [56.]
_This picture was also painted (in about 1493), for the Convent of
the Gesuati._
=The Descent from the Cross.= [57.]
The lower part of the picture is Perugino's work, and the
background. Nicodemus and Joseph of Arimathæa are on the left. The
Madonna, fainting, but supported by the holy women, is on the right,
and in the centre at the foot of the cross kneels Mary Magdalen. The
three nails are in the foreground placed on the clothes of one of
the men.
Public-domain text, read in full here on John Shaqi.
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