_This picture was begun in 1503 by Filippino Lippi for the brethren of SS. Annunziata de Servi, at the expense of Jacopo Federighi, a Knight of Malta. Upon Filippino's death in April 1504 it was completed by Perugino._ =Drawings.= Case 255. Nos 411, 412, 413. Study for the "Deposition from the Cross" in the Pitti Gallery. Silver paint in bistre touched up with white, on grey paper. 254. 407. Five figures turning to the right. 409. St Francis. Study for figure in picture in SS. Annunziata. Pen and ink. 418. St. Jerome kneeling. 253. 1307. Virgin and Child. 1147. Figure of a young man. 402. Venus and Cupid. Etching in bistre touched up in white for the Cambio. 1317. Figure of a monk. 252. 1320. An angel and a lily. 400. Pericles. Pen and ink. For the Cambio. 1435. Figure of a monk. 416. Head of 1115. Vision of St. Bernard. Study for the picture at Munich, 1024. 408. St. Catherine; and on the reverse of it, Four Loves. Pen and ink. 363. Madonna and Child. Study for the picture at Perugia. Sala XI. 6. 401. Moses. For the Cambio. 511. Two figures. Case 251. 415. Socrates. For the Cambio. 405. Group of five Apostles. Study for the Assumption at SS. Annunziata. 417. The Madonna. Study for the figure in Sta. Maria dei Pazzi. 403. Three Apostles. Study for the Assumption at Borgo San Sepolcro. Etched in bistre, heightened with white on tinted paper. On the back of 252, 400, is a Christ on the Cross, in silver paint on blue paper. Study for the Sta. Maria de Pazzi picture. 256. 309. The Cumean Sibyl. For the Cambio. FLORENCE, CHAPTER-HOUSE OF SANTA MARIA MADDALENA DEI PAZZI. =The Crucifixion.= This is a very large fresco in three compartments. Circa 1496. In the centre is Our Lord upon the Cross, with Mary Magdalen kneeling. In the right division, St. John and St. Benedict. In the left, the Virgin and St. Bernard. Each division is framed by an archway of pillars. There are studies in the Uffizi for the "Madonna," 251, 417; and for the "Christ on the Cross," 252, 400. FLORENCE, CHURCH OF SS. ANNUNZIATA. In the fifth chapel on the left is a =Virgin and Child enthroned between St. John Baptist and St. Francis=, much of which was probably painted by the pupils of Perugino. There is a study for the St. Francis in the Uffizi, 254, 409. In the seventh Chapel is an =Assumption of the Virgin.= The Madonna is in a luminous mandorla of rays and surrounded by angels and cherubs, while below on the ground the apostles and holy women, who are gazing up into heaven.