Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
(3) Copperas. Where beds of common iron pyrites occur, the iron
sulphide is converted into sulphate by exposure to the oxidising
influence of the air. The result is an acid sulphate of iron, which
is leached out and neutralised by addition of more iron in the form
of scrap. The neutral sulphate is crystallised out of the liquor, and
calcined in a muffle furnace, the shade of the ultimate product being
governed by the degree or duration of the roasting. The sulphurous acid
liberated in the roasting is sometimes utilised for making sulphuric
acid, but is more often wasted, because, to be commercially successful,
the sulphuric acid manufacture must be conducted on a large scale,
demanding 100_l._ of capital for every 1_l._ necessary for the copper
and red oxide fabrication.
PERSIAN RED.--A name which is used somewhat indiscriminately
both for Derby red (p. 145) and for oxide red (p. 150).
REALGAR.--The native mineral realgar is a yellow-red
bisulphide of arsenic, often called also ruby of arsenic, or arsenic
orange. It occurs native in very limited quantities in some of the
older rocks, and then only requires to be ground and levigated. But for
painters’ purposes it is prepared artificially by heating a mixture of
sulphur and arsenic in such a way that they are melted in company and
react on each other to form the arsenic sulphide. The heating takes
place in crucibles, and the proportions are two parts by weight of
arsenious acid (white arsenic) to one of flowers of sulphur. When the
reaction has ceased, the contents of the crucible are allowed to cool,
and then reduced to very fine powder.
The pigment is exceedingly poisonous and not remarkably durable,
besides which, it cannot be mixed with any other pigment which is
affected by sulphur.
RED LEAD.--A common name for minium, see p. 148.
ROUGE.--One of the names for a particular shade of the oxide
reds, see p. 150.
VENETIAN RED.--A fancy name for a special shade of oxide red,
see p. 150.
VERMILION.--This old pigment is gradually going out of use;
the newer reds, which are more brilliant in colour and cheaper, are
gradually displacing it, although it is doubtful whether it will ever
go completely out of use. It is the mercuric sulphide HgS. When pure,
it is not attacked by acids or alkalies; only aqua regia, a mixture
of hydrochloric and nitric acids, is capable of dissolving it, when
it forms a clear solution. Heated in the flame of a Bunsen burner,
it is completely volatile, a property possessed by no other pigment
in common use, therefore any adulteration can be readily detected by
simply heating a little vermilion in a crucible; if a known weight is
taken and the residue is weighed, the amount of adulteration can be
ascertained. Vermilion is chiefly adulterated with oxide of iron and
orange lead. From the character of the residue left on heating in a
crucible, the kind of adulteration can be readily ascertained.
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