Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
_Characters._--Zinc oxide, being an expensive pigment, is liable to
adulteration; fortunately, all such adulterations are easily detected,
and their nature ascertained by a few simple tests. Zinc oxide, if
pure, should dissolve entirely without effervescence in nitric acid;
any residue would indicate adulteration with barytes or china clay;
the former may be distinguished by its weight and the yellowish green
colour it imparts to the Bunsen flame, the latter is lighter and gives
no colour to the Bunsen flame. Boiled with strong sulphuric acid,
barytes is not acted on, while china clay is. If, after cooling, the
mass be diluted with water, and ammonia be added to the liquor, if
barytes is present no precipitate will be obtained, while if china clay
is present a white precipitate is produced.
If the zinc oxide dissolves with effervescence, white lead or whiting
may be present; the solution should give no precipitate of black
sulphide of lead on passing sulphuretted hydrogen through it. On
neutralising the solution in nitric acid with sufficient ammonia, and
adding ammonia sulphide to precipitate all the zinc (the precipitate
should be white, any other colour would show some impurity), filtering
off and adding a little oxalate of ammonia, no white precipitate of
calcium oxalate should be obtained; such a precipitate would show
presence of whiting or gypsum.
The white pigments having as a base the sulphide of zinc, also contain
barytes, oxide of zinc, sulphate of strontium, &c. They can be
distinguished by evolving sulphuretted hydrogen gas, recognisable by
its odour, on treatment with an acid. They are not entirely soluble in
acids, the residue being mostly barytes, but may also be sulphate of
strontium; it is immaterial whether the two be distinguished or not.
CHAPTER VIII.
YELLOWS.
The yellow pigments do not form a large or important group, and beyond
a few organic colouring matters which have a limited use in artistic
painting, they are chiefly confined to the ochres of natural origin and
to the chromes, and one or two other kinds artificially prepared from
mineral substances.
ARSENIC YELLOW.--Another name for Orpiment (see p. 280).
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