Pigments, Paint and Painting: A practical book for practical men — John Shaqi
Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
At these works a horizontal brick flue _a_ about 18 inches square and
about 10 feet long is provided. At one end it enters the black-house
_b_, and is here provided with a damper _c_ to shut it off when not
working. The other end opens to the air, and here is a sliding door
_d_ which, when shut down, leaves an opening round a small pipe _e_,
which enters in this situation from a main pipe that conveys oil in a
similar manner to four burners of this description placed side by side.
At the bottom of the flue is an iron tray _f_ to catch any liquid that
falls from the tube, and in this tray the oil is burned. The burning of
oil in one of these flues is not allowed to go on for more than three
hours, and, when the combustion is over, the communication with the
black-house is closed, the entrance door of the flue is opened, and the
cover is taken off the chimney _g_ so that the flue may become cooled,
and another flue is taken into use.
The black-house is a brick chamber into which the smoke passes, and
where it deposits its sooty particles. In some works there is only
one undivided chamber; in other works there are more than one, and
the chambers communicate by flues through which the smoke passes from
one to another. At other works the chamber is divided by vertical
partitions, springing alternately from the two ends, so as to
constitute one high zigzag flue, along which the smoke must travel
to its outlet from the black-house. This chamber must needs have an
opening somewhere to the outer air. The opening is sometimes a small
chimney in the roof, and sometimes a short louvre tower. This is
necessary to produce a trifling draught, just enough to carry the smoke
into the chamber and no more.
In some works, the black from the black-house is also calcined, the
object of the “calcination” being to get rid of all greasiness, a point
of great importance when the lamp-black is to be used for making fine
pigment. This process is conducted in circular iron pans, usually about
2¼ feet high and 2¼ feet diameter, which are provided with removable
iron covers. A pan of this size will hold about 2 lb. of lamp-black. A
bowlful is first put in and lighted by a red-hot iron; more and more is
added from time to time as the ignition proceeds. When the pan, being
full, leaves off smoking, the calcination is known to be complete, and
the pan is then covered and its contents are allowed to cool. The loss
undergone in this process is about 25 per cent. The smoke which comes
off is acrid and very irritating to the eyes, like that proceeding from
boiling oil, and it is difficult for a person unaccustomed to it to
remain many minutes in the chamber where calcining is going on. This
process is sometimes conducted within a chamber, but frequently under a
shed or even in a building freely open to the air.
Public-domain text, read in full here on John Shaqi.
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