Pigments, Paint and Painting: A practical book for practical men — John Shaqi
Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
The best mode of preventing nuisance from calcination is in operation
at Shackell & Edwards’ works, in Hornsey Road, Islington. At these
works the black is calcined in a chamber 20 feet square and 25 feet
in greatest height, with a paved floor and arched roof. In the centre
of the roof is the opening where a fire was formerly placed, but which
is now closed by a sky-light, capable of being raised. The calcining
pots are ranged round this chamber, and a fan, employed to draw off
the vapours from the oil-boiling pans, is further utilised to draw off
also, from the upper part of the calcining-house, the vapours arising
from the calcination, and to drive them into the boiler fire, where
they are consumed. Calcination should always be conducted in a closed
building duly ventilated so as not to create nuisance.
The transport of lamp-black is effected in barrels or bags; when in the
latter, these should be previously soaked in water containing some clay
in suspension, which stops up the pores of the sacking, and thereby
prevents loss.
The particular virtue of lamp-black as a pigment lies in its state
of extremely fine division, which could not possibly be attained by
artificial means; this quality renders it invaluable as the basis of
black pigments, all of which contain it in a greater or less quantity.
Indian ink and printers’ ink are also composed principally of this
substance.
=Unimportant Blacks.=--In addition to the recognised blacks already
noticed there are a number of other sources of black pigment which
have been drawn upon to a limited extent, or have been suggested
as substitutes for the standard articles. They only merit a short
description.
_Aniline black_ is prepared by adding an acidified (sulphuric) solution
of bichromate of potash to an aqueous solution of hydrochlorate of
aniline, and washing the precipitate. The cost is prohibitive.
_Candle black_ is candle smoke condensed on a cold plate.
_Charcoal black_ is finely-ground wood charcoal.
_Coal black_ has been suggested by grinding coal, but lacks the
requisite qualities of a pigment.
_Cork black_ is a very fine pigment prepared by calcining cork refuse.
Limited supply.
_German black_ is Frankfort black.
_Iron black_ is ground black sulphide of iron.
_Lead black_ is prepared by boiling lead fume in sulphide of soda
solution. It would probably be unstable on account of oxidation.
_Manganese black_ is ground oxide of manganese. It is costly, and dries
too quickly.
_Prussian black_ is calcined Prussian blue. It is not of a good colour,
nor economical.
_Prussiate black_ is the carbonaceous residue from making yellow
prussiate of potash. Used chiefly for decolorising syrups, &c.
_Spanish black_ is cork black.
_Tannin black_ is proposed to be made by exhausting the tannin from
refuse leather and tanning agents, and adding alum and sulphate of
iron. The colour is blue-black, weak, and unstable.
CHAPTER III.
BLUES.
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