Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
stirrers, similar to those in a pug-mill, which are driven by means
of the pulley _l_, _m_ being a loose pulley; by shifting the strap on
to this, the machine can be stopped at once. When the oil has been
thoroughly incorporated with the pigment, the mixture is allowed to
run through the spout _g_ on the roller _a_. Working against _a_ is a
second roller _b_, and this in its turn bears upon a third roller _c_.
In order to prevent the grooving of the faces of the rollers, which
always takes place when they revolve in the same plane, there is an
arrangement by which a slight lateral motion is communicated to _b_,
in addition to the rotary motion. A pin fixed upon the rigid bracket
_k_ works in the grooved cam _i_, which is keyed on the shaft of the
roller _b_. The grinding power of the machine is considerably increased
by this modification. The rollers are worked from the pulley _d_;
the loose pulley _e_ receives the strap when a pause in the working
of the machine becomes necessary. The details of the construction of
the grinding machine are given in Fig. 48. The rollers _a b c_ are
constructed of granite or porcelain; for fine grinding, the latter
substance is preferable. They are adjusted by means of the screws _g
h_. These are furnished with spiral springs, so that should a nail
or other hard substance get between the rollers, these can rise in
their bearings, letting the nail fall down at the back. The “doctor”
or scraper _f_ removes the paint from the surface of the roller _c_;
_a b_ are also provided with smaller scrapers, which remove any paint
that may cake upon their surfaces. Where extreme fineness is requisite,
the paint is again passed through the machine, and this operation is
sometimes repeated several times.
In working these or any other form of grinding rollers, great care
must be taken to clean them thoroughly immediately after use. If the
paint be allowed to dry upon the surface of the rollers it is difficult
of removal, and interferes with the perfect action of the machine.
Should the working parts become clogged with solidified oil, a strong
solution of caustic soda or potash will remove it. By means of the
same solutions, porcelain rollers may be kept quite white, even if
used for mixing coloured paints. Although the colour of most pigments
is improved by grinding them finely in oil, yet there are some which
suffer in intensity where their size of grain is reduced. Chrome red,
for instance, owes its deep colour to the crystals of which it is
composed, and when these are reduced to extremely fine fragments, the
colour is considerably modified.
Public-domain text, read in full here on John Shaqi.
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