Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
The cultivation of indigo (chiefly _Indigofera tinctoria_) is very
extensively carried on in India, especially in the district included
between 20° and 30° N. lat. The soil best suited for the culture is a
rich loam, with a subsoil which is neither too sandy nor too stiff;
alluvial soils give the best returns, but good crops are sometimes
raised on higher grounds. The land is ploughed in October-November,
after the rains; the seed, about 12 lb. to the acre, is sown in
February-April. Too rapid growth diminishes the yield of dye. In
July-September, the plants are in full blossom, and the harvest takes
place. The preparation of the dyestuff may be performed in either
of two ways, which are distinguished as the “dry-leaf,” and the
“green-leaf” process. The latter is considered the better, and is
the more general; it is conducted as follows:--The flowering plants
are cut down at about 6 in. from the ground, and immediately taken
to the steeping vats, within which they are spread out and pressed
down by beams fitted to the side posts of the tanks. Enough water is
then admitted to cover the plants; if this be delayed, fermentation
may set in and spoil the product. The duration of the steeping is
liable to considerable modification, and needs much judgment and
experience; with a temperature of 96° F. in the shade, 11-12 hours may
suffice; in cooler weather, 15-16 hours may be necessary. Moreover,
very ripe plants require less time than young and unripe ones. The
following general conditions indicate the time for suspending the
maceration:--(1) The sinking of the water in the vat; (2) the immediate
bursting of the bubbles that arise; (3) an orange tint mingled with
the green, when the surface water is disturbed; (4) the emission
of a sweetish, pungent odour, quite distinct from the raw odour of
the unripe liquor. At this point, men enter the vat, and stir up its
contents either by hand or by a wooden paddle. The agitation is at
first gentle, but increases as the fecula begins to separate; this
is known by the disappearance of the froth, and by the colour of the
liquor changing from green to blue. The “beating,” as it is called, is
continued for 1¾-3 hours, the following conditions being a guide as
to its sufficiency:--(1) The ready precipitation of the fecula from a
sample of the liquor, and the madeira-wine colour of the latter; (2)
a brownish colour observed on dipping a cloth into the liquor, and
wringing it out; (3) the appearance of a glassy surface on the liquor,
and the subsidence of the froth with sparkling and effervescence.
Public-domain text, read in full here on John Shaqi.
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