Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
(7) A method due to Köchlin is described in the following terms:--An
aqueous solution of sulphate of copper is made by adding 100 grammes
of the salt to 500 cc. of water. To this, when solution is complete,
is added 187½ cc. of a solution of arsenite of soda, which is of the
strength represented by 500 grammes of arsenite in 1 litre of water.
The result is that a precipitate of arsenite of copper is thrown down.
This precipitate is treated with 62 cc. of acetic acid at 11° to 12°
Tw., or half that quantity of pure formic acid, for one hour, at a
temperature ranging from 104° to 122° F. The pigment thus produced
is of good colour, but its superiority would not seem to justify the
use of such an expensive article as pure formic acid, nor the minute
adjustment of the proportions of the ingredients, in an operation to be
conducted on a commercial scale.
(8) Another complicated process has been invented by Prof. Galloway,
which, under skilled supervision, and when the correct proportions of
the several ingredients have been ascertained by careful experiment,
may give good results, but several precautions have to be observed
which cannot be entrusted to ordinary factory hands. The principle
of the process is that when a quantity of sulphate of copper is
dissolved in water, sufficient carbonate of soda is added to throw down
one-fourth of that copper sulphate as carbonate of copper, and then so
much acetic acid is introduced as will convert that copper carbonate
into acetate. In order to convert the balance of the copper sulphate
into arsenite, a solution of arsenic in boiling carbonate of soda is
made and added to the copper acetate solution, both solutions being at
a boiling temperature.
Emerald green is a pigment which possesses considerable stability in
dry pure air, but in damp atmospheres it becomes brown; in the presence
of acid or ammoniacal vapours it turns blue, and under the influence
of sulphuretted hydrogen it blackens; moreover, strong alkalies
destroy it. Consequently it cannot be used in many situations, nor
in association with such pigments as contain sulphur compounds. In
decorative painting it is difficult to apply on large flat surfaces,
and necessitates stippling in order to get it to lie well; but when
stippled on a ground of proper green it develops an exceedingly
beautiful bloom-like appearance.
Its peculiar shade distinguishes it from all other green pigments,
none of which approaches it in the paleness and brightness of its
colour. It can be distinguished by the fact that it is soluble in acids
and ammonia, to a blue solution which does not change on boiling. In
caustic soda it also dissolves with a blue colour: on boiling, a red
precipitate of cuprous oxide falls down. No other green pigment answers
to all these tests.
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