Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
There are a good many imitation emerald greens on the market, some
of which are offered as genuine emerald greens, others as “emerald
tint” green, which is much more honest. The composition of these
greens necessarily varies greatly, some are prepared from coal tar
greens, others by careful admixture of various green, blue, and yellow
pigments. If the tint of these substitutes is right and they are sold
for what they are, there is no reason why they should not be used
in place of the real article, over which they have the advantage of
not being poisonous, which is a great disadvantage of the genuine
emerald green. Although one authority disputes this point, certainly
the poisonous action of emerald green varies very considerably with
different individuals. The genuine emerald green may be distinguished
from the spurious by being perfectly soluble in acids and alkalies,
which the imitations are not; the character of the latter must be
inferred by the application of a few special tests, the nature of
which will be readily deduced from what is said as to the properties
of other green pigments. Emerald green should be assayed for purity
and tint; this is important, as pure emerald green has a tint of its
own, which is difficult to imitate, and sometimes really pure emerald
green offered for sale is of a defective tint, due to some fault in the
process of manufacture. Such samples should be rejected.
GUIGNET’S GREEN.--The greens of this class, which owe their
colour to chromium oxide, are also known as “chrome greens,” a name
which they share with a totally different group into whose composition
chrome yellow enters as a constituent, and which have been already
described under the synonym “Brunswick greens,” on pp. 114-118.
Though one of the simplest of chemical products, a great many ways of
preparing chromium oxides have been proposed. One of the earliest for
industrial application was that of Guignet, who has given his name to
the pigment, and this may fitly commence the long list.
(1) The first method adopted by Guignet consisted in mixing bichromate
of potash with three times its weight of boracic acid and moistening
the mass with just sufficient water to form it into a thick paste.
This paste is put on the hearth of a reverberatory furnace, which is
carefully heated to a point never exceeding a dark red heat; if this
precaution is neglected, the mass, instead of becoming porous, will
fuse entirely, and the anhydrous oxide will be produced, which has a
pale-green colour. The heated paste, while still red hot, is thrown
into cold water and washed with boiling water, in order to remove
borate of potash in solution; and this solution, when boiled down
and treated with hydrochloric acid, can be made to yield up most of
the boracic acid it contains. The filtered and washed residue is the
hydrated oxide of chromium.
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