Pilgrim Trails: A Plymouth-to-Provincetown Sketchbook — John Shaqi
Pilgrim Trails: A Plymouth-to-Provincetown SketchbookWarner, Frances Lester
History
Pilgrim Trails: A Plymouth-to-Provincetown Sketchbook
Warner, Frances Lester
Massachusetts -- Description and travel
He led us downstairs, and out to the large room where they used to do
their fireplace cooking. The fireplace is closed now, but the spirit of
the house is still one of comfort and hospitable good cheer. From its
windows you cannot quite see the place where Myles Standish lived; it is
too far away. But it is pleasant to know that the Captain and John Alden
were near neighbors, and that one of Myles Standish's sons married one
of the daughters of Priscilla. All of Priscilla's eleven children turned
out well; many of them were later called to "act in publick stations;"
and the old house has been the homestead of her descendants all these
years.
When we had signed our names in the big register, and turned to go,
Barbara said, "Do you know why the Aldens and Standishes left Plymouth
and came over here so far?"
"Why, they came over to settle it," said Mr. John Alden kindly; "to open
it up."
[Illustration: The Myles Standish Monument]
As we went out down the lane, we turned to take one more look at John
Alden's land. There, in the middle foreground, we saw the artist,
sketching busily.
"How did _you_ get here?" we asked in a breath.
"In the car. How did _you_ get here?"
"We walked," said Barbara with emphasis.
"Like to go the rest of the way by stage?" inquired the artist affably,
hoisting his sketching kit over his shoulder and pointing to the car at
the foot of the lane. "I'm going over to the Standish house next."
"Did you know," said Barbara dreamily to the artist, as she seated
herself in the car, "that the four most famous descendants of John Alden
and Priscilla were John Quincy Adams, Henry Wadsworth Longfellow,
William Cullen Bryant, and Tom Thumb?"
"Barbara," said the artist gravely, "did you make that up?"
"No," said Barbara, clutching the seat as we went around the corner on
one wheel, "I looked it up."
Country over which you have just been prowling on foot looks very
different when viewed from a car. The blackberry tangles and wild
rose-bushes, through which we had waded on our way to the woods, were
now simply part of the scenery. And the Myles Standish monument, which
had been our mariner's needle, one of the necessities of life, was now
only a forsaken watch-tower, with a solitary figure on top of it against
the sky. We went careening up the side-road to the Standish house, which
was built in 1666, not by the captain himself, but by one of his sons.
It was closed. An old house, locked, with an open field around it and
the sea below; a perfect place for sketching, and the rising wind from
the sea. Barbara went softly up to the doorway and touched the rusty
latch. On one side of the doorstep was a lilac bush, and on the other a
wild birch.
[Illustration: The Standish House, Duxbury, (1666)]
Public-domain text, read in full here on John Shaqi.
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