Pilgrimage from the Alps to the Tiber : $b or, The influence of Romanism on trade, justice, and knowledgeWylie, J. A. (James Aitken)
History
Pilgrimage from the Alps to the Tiber : $b or, The influence of Romanism on trade, justice, and knowledge
Wylie, J. A. (James Aitken)
Catholic Church -- Italy; Italy -- Description and travel
After noon each betook himself to what pastime he pleased. Not a few
opened their shops. Others gathered round an astrologer,--a personage no
longer to be seen in the cities of the west,--who had taken his stand on
the _Riva degli Schiavoni_, and there, begirt with zone inscribed with
cabalistic characters, and holding in his hand his wizard's staff, was
setting forth, with stentorian voice, his marvellous power of healing by
the combined help of the stars and his drugs. By the way, why should the
profession of astrology and the cognate arts be permitted to only one
class of men? In the middle ages, two classes of conjurors competed for
the public patronage, but with most unequal success. The one class
professed to be master of spells that were all-powerful over the
elements of the material world,--the air, the earth, the ocean. The
other arrogated an equal power over the invisible and spiritual world.
They were skilled in a mysterious rite, which had power to open the
gates of purgatory, and dismiss to a happier abode, souls there immured
in woe. The pretensions of both were equally well founded: both were
jugglers, and merited to have fared alike; but society, while it
lavished all its credence and all its patronage upon the one, denounced
the other as impostors. One colossal system of necromancy filled Europe;
but the age gave the priest a monopoly; and so jealously did it guard
his rights, that the conjuror who did not wear a cassock was banished or
burned. We can assign no reason for the odium under which the one lay,
and the repute in which the other was held, save that the art, though
one, was termed witchcraft in the one case, and religion in the other.
The one was compelled to shroud his mysteries in the darkness of the
night, and seek the solitary cave for the performance of his spells. The
arts of the other were performed in magnificent and costly cathedrals,
in presence of admiring assemblies. The latter were the licensed dealers
in magic; and, enjoying the public patronage, they carried their
pretensions to a pitch which their less favoured brethren dared not
attempt to rival. They juggled on a gigantic scale, and the more
enormous the cheat, the better was it received. They rapidly grew in
numbers and wealth. Their chief, the great Roman necromancer, enjoyed
the state of a temporal prince, and had a whole kingdom appropriated to
his use, that he might suitably support his rank and dignity as
arch-conjuror.
Public-domain text, read in full here on John Shaqi.
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