Pilgrimage from the Alps to the Tiber : $b or, The influence of Romanism on trade, justice, and knowledgeWylie, J. A. (James Aitken)
History
Pilgrimage from the Alps to the Tiber : $b or, The influence of Romanism on trade, justice, and knowledge
Wylie, J. A. (James Aitken)
Catholic Church -- Italy; Italy -- Description and travel
the willow for eighteen centuries. Beneath the dark shadow of the
Vatican do they ever think of the sunny and vine-clad hills of their
Palestine?
I spent days not a few in the saloons of the Vatican. Into these noble
chambers,--six thousand in number, it is said,--have been gathered all
the masterpieces of ancient art which have been dug up from the ruins of
villas, and temples, and basilicas, where they had lain buried for ages.
Of course, I enter on no description of these. Let me only remark, that
though I had seen hundreds of copies of some of these sculptures,--the
Apollo Belvedere and the Laocoon, for instance,--no copy I had ever seen
had given me any but the faintest idea of the transcendent beauty and
power of the originals. The artist, I found, had flung into them,
without the slightest exaggeration of feature, a tremendous energy, an
intense life, which perhaps no coming age will ever equal, and certainly
none surpass. What a sublime, thrilling, ever-acting tragedy, for
instance, is the Laocoon group! But from these efforts of a genius long
since passed from the earth, I pass to one who represents in his living
person a more tragical drama than any depicted in marble in the halls of
the Vatican. One day as I was wandering through these apartments, the
rumour ran through them that the Pope was going out to take an airing. I
immediately ran down to the piazza, where I found a rather shabby coach
with red wheels, to which were yoked four coal-black horses, with a very
fat coachman on the box, in antique livery, and two postilions astride
the horses, waiting for Pius. Some half-dozen of the _guardia nobile_,
mounted on black horses, were in attendance; and, loitering at the
bottom of the stairs, were the stately forms of the Swiss guards, with
their shining halberds, and their quaint striped dress of yellow and
purple. I had often heard of the Pope in the symbols of the Apocalypse,
and in the pages of history as the antichrist; and now I was to see him
with the eye in the person of Pio Nono. After waiting ten minutes or so,
the folding doors in an upper gallery of the piazza were thrown open,
and I could see a head covered with a white skull-cap,--the Popes never
wear a wig,--passing along the corridor, just visible above the stone
ballustrade. In a minute the Pope had descended the stairs, and was
advancing along the open pavement to his carriage. The Swiss guard stood
to their halberds. A Frenchman and his lady,--the same, if I mistake
not, whom I had seen on the Scala Santa,--spreading his white
handkerchief on the causeway, uncovered and dropped on his knees; a row
of German students in red gowns went down in like manner; a score or so
of wretched-looking old men, who were digging up the grass in the
piazza, formed a prostrate group in the middle; and a little knot of
Englishmen,--some four of us only,--stood erect at about six yards from
the line of the procession.
Public-domain text, read in full here on John Shaqi.
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