Pilgrimage from the Alps to the Tiber : $b or, The influence of Romanism on trade, justice, and knowledgeWylie, J. A. (James Aitken)
History
Pilgrimage from the Alps to the Tiber : $b or, The influence of Romanism on trade, justice, and knowledge
Wylie, J. A. (James Aitken)
Catholic Church -- Italy; Italy -- Description and travel
I had now completed my tour of the Cathedral, and could not help
reflecting on the miscellaneous, and apparently incongruous, character
of the spectacles grouped together in the square. In the middle was the
great temple, in which priests, in stole and mitre, celebrated the high
mysteries of their Church. In one of the angles were rows of mounted
cannon, and a forest of bayonets. In another was seen the whole process
of refining souls in purgatory. Strange, that if men here are shut up in
prisons and hulks amid desperadoes, they come out more finished villains
than they entered; whereas hereafter, if men are shut up with even worse
characters, amid blazing fires, glowing gridirons, and cauldrons of
boiling lead, they come out perfected in virtue. They pass at once from
the society of fiends, where they have been whipped, roasted, and I know
not what, to the society of angels. This is a strange schooling to give
dignity to the character and conscious purity to the mind. And yet Rome
subjects all her sons to this discipline for a longer or shorter period.
Much do we marvel, that the same process which unfits men for
associating with respectable people here should be the very thing to
prepare them for good society hereafter. The other side of the square
Punch had all to himself; and Punch, I saw, was the favourite. The
inhabitants of Milan kept as respectable a distance from the painted
fiends as if they had been veritable Satans, ready to clutch the
incautious passer-by, and carry him off to their den. They kept the same
respectable distance from the Austrian cannon; and these were no painted
terrors. And as regards the Cathedral, scarce a solitary foot crossed
its threshold, though there,--astounding prodigy!--He who made the
worlds was Himself made many times every day by the priests. But Punch
had a dense crowd of delighted spectators around him; and yet he
competed with the priest at immense disadvantage. Punch played his part
in a humble wooden shed, while the priest played his in a magnificent
marble Cathedral, with a splendid wardrobe to boot. Still the people
seemed to feel, that the only play in which there was any earnestness
was that which was enacted in the wooden box. A stranger from India or
China, who was not learned in either the religion or the drama of
Europe, would probably have been unable to see any great difference
between the two, and would have taken both for religious performances;
concluding, perhaps, that that in the Cathedral was the established
form, while that in the wooden box was the disestablished; in short,
that Punch had been a priest at some former period of his life, and sung
mass and sold indulgences; but that, imbibing some heterodox notions, or
having fallen into some peccadillo, such as eating flesh on Friday, he
had been unfrocked and driven out, and compelled to play the priest in a
wooden tabernacle.
Public-domain text, read in full here on John Shaqi.
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