Man-woman relationships -- Fiction; Marriage -- Fiction; Science fiction
We peered up and down the corridor. It was empty. I followed Julia down
the grim passage. In the distance, the arena entrance was bright with
afternoon sunlight. At the first intersection, she turned right. The
new passage was narrow, dimly lighted. At its far end a ponderous stone
door opened reluctantly to the pressure of our shoulders and we found
ourselves at the base of a sharply slanting ramp.
"You seem to know this place like a book," I said. "Were you ever in
the cell block before?"
She nodded. "I visited my mother often before she was stoned."
"Your mother! _Stoned?_"
"Yes. Stoned. That's why I'm a ghoul. Hurry, Roger!"
We started up the ramp. After a dozen yards, it turned abruptly, became
a steep spiral. Breathing was difficult, conversation impossible. Now
and then, a slit of a window looked out into the crowded amphitheater.
The port boasted one derelict 'copter and one guard. The guard had his
back to us when we crept cautiously onto the roof. He must have sensed
our presence, for he turned. But I doubt if he ever saw us. The charge
from my gun struck him in the side before he even completed his turn,
and he crumpled to the sun-drenched concrete.
We were aboard the 'copter in an instant. Julia's experienced fingers
made deft maneuvers on the control panel and then we were aloft,
soaring over the amphitheater, the sky blue above us, the stoning
platform a chiaroscuro of gray- and black-garbed men and women below
us. The arena proper was a bleak expanse of packed dirt, unrelieved by
a single blade of grass. I could hear the obscene murmur of the crowd
above the whirring of the blades.
There was a telescreen above the control panel. I turned it on to see
if our escape had been discovered. Apparently it had not been, for the
scene coming over the single channel was the same I had just witnessed,
viewed from a different angle. The telecamera had been set up opposite
the arena entrance so that the upper echelon members of the hierarchy,
who could afford such luxuries as TV sets, would have an excellent view
of the expected chastisement.
The announcer was intoning the sixth commandment over and over in a
deep resonant voice. I lowered the volume and turned to Julia. We were
over the parsonage apartments now, headed in a northerly direction.
"Don't you think it's time you told me where we're going?" I said.
"I told you before but you wouldn't believe me. We're going to Mars,
provided you're willing, of course. And I'm afraid you haven't much
choice."
"Stop being ridiculous, Julia. This is a serious situation!"
"I know, darling. I know. And if the ship has already blasted, it will
be a far more serious situation."
"What ship are you talking about?"
"The Cadillac-ship; the Ford-ship; the Plymouth-ship. Call it what you
will. Cars are made of metal, so are spaceships. By applying the right
temperatures, and the right techniques, dedicated people can transform
Cadillacs and Fords and Plymouths into highways to the stars."
Public-domain text, read in full here on John Shaqi.
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